Last to post wins

[Creeperopolis]

Robert Earl Kaske (1 June 1921 – 8 August 1989) was an American professor of medieval literature. He spent most of his career at Cornell University in Ithaca, New York, where he was the Avalon Foundation Professor in the Humanities, and where he founded one of the preeminent medieval studies graduate programs in North America. His published output included lengthy interpretations of Beowulf and of poems and passages by Dante and Chaucer, and frequently constituted leading studies. Kaske particularly enjoyed solving cruxes, with articles on problematic passages in works such as Pearl, Piers Plowman, the Divine Comedy, The Husband's Message, The Descent into Hell, and Beowulf.

Born in Cincinnati and a straight-A student in high school, Kaske studied liberal arts at Xavier University and joined a variety of student literary organizations there. He was a four-year member of the Reserve Officers' Training Corps, and was commissioned a second lieutenant before his 1942 graduation; much of the next four years was spent with the Army in the South Pacific during World War II. While there he read a story about a dusk-to-dawn conversation between two professors and, entranced by the prospect of such intellectual discussions, decided on an academic career. Kaske enrolled in the English literature program at the University of North Carolina at Chapel Hill (UNC) on the back of the G.I. Bill, received his master's in 1947, and his PhD in 1950.

From 1950 to 1963 Kaske held posts at Washington University in St. Louis, Pennsylvania State University, UNC, and the University of Illinois at Urbana–Champaign, rising from lecturer to full professor along the way; he termed his departure from UNC as the time he "published himself out of paradise".[3] A visiting professorship at Cornell in 1963 became permanent in 1964, and Kaske remained at the university for the rest of his life.

A popular and "Falstaffian" professor,[4] Kaske, along with the medieval studies program he founded, was credited by colleagues with producing the backbone of the discipline's next scholastic generation. His editorial imprint was visible in the works of many, including former students and those who submitted papers to the journal Traditio, which he edited. Over the course of his career he collected what one former student termed "most of the awards and honors possible for a medieval scholar",[5] including fellowships from the National Endowment for the Humanities and the American Council of Learned Societies, and two Guggenheim Fellowships.