01-12-2023, 12:19 AM
The Farseer trilogy is a series of fantasy novels by American author Robin Hobb, published from 1995 to 1997. It is often described as epic fantasy, and as a character-driven and introspective work. Set in and around the fictional realm of the Six Duchies, it tells the story of FitzChivalry Farseer (known as Fitz), an illegitimate son of a prince who is trained as an assassin. Political machinations within the royal family threaten his life, and the kingdom is beset by naval raids. Fitz possesses two forms of magic: the telepathic Skill that runs in the royal line, and the socially despised Wit that enables bonding with animals. The series follows his life as he seeks to restore stability to the kingdom.
The story contains motifs from Arthurian legend and is structured as a quest, but focuses on a stereotypically minor character in Fitz: barred by birth from becoming king, he nonetheless embraces a quest without the reward of the throne. It is narrated as a first-person retrospective. Through her portrayal of the Wit, a form of magic Fitz uses to bond with the wolf Nighteyes, Hobb examines otherness and ecological themes. Societal prejudice against the ability causes Fitz to experience persecution and shame, and he leads a closeted life as a Wit user, which scholars see as an allegory for queerness. Hobb also explores queer themes through the Fool, the gender-fluid court jester, and his dynamic with Fitz.
The Farseer trilogy was Margaret Astrid Lindholm Ogden's first work under the pen name Robin Hobb and met with critical and commercial success. Hobb received particular praise for her characterization of Fitz: the Los Angeles Review of Books wrote that the story offered "complete immersion in Fitz's complicated personality",[2] and novelist Steven Erikson described its first-person narrative as a "quiet seduction".[3] The Farseer trilogy is the first of five series set in the Realm of the Elderlings: it is followed by the Liveship Traders trilogy, the Tawny
The story contains motifs from Arthurian legend and is structured as a quest, but focuses on a stereotypically minor character in Fitz: barred by birth from becoming king, he nonetheless embraces a quest without the reward of the throne. It is narrated as a first-person retrospective. Through her portrayal of the Wit, a form of magic Fitz uses to bond with the wolf Nighteyes, Hobb examines otherness and ecological themes. Societal prejudice against the ability causes Fitz to experience persecution and shame, and he leads a closeted life as a Wit user, which scholars see as an allegory for queerness. Hobb also explores queer themes through the Fool, the gender-fluid court jester, and his dynamic with Fitz.
The Farseer trilogy was Margaret Astrid Lindholm Ogden's first work under the pen name Robin Hobb and met with critical and commercial success. Hobb received particular praise for her characterization of Fitz: the Los Angeles Review of Books wrote that the story offered "complete immersion in Fitz's complicated personality",[2] and novelist Steven Erikson described its first-person narrative as a "quiet seduction".[3] The Farseer trilogy is the first of five series set in the Realm of the Elderlings: it is followed by the Liveship Traders trilogy, the Tawny
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