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[Creeperopolis]

Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms, a series of four oil paintings by American artist Norman Rockwell. The paintings were inspired by the Four Freedoms, a set of four goals articulated by Franklin D. Roosevelt, the president of the United States, in his 1941 State of the Union address.

Freedom from Want was created in November 1942 and published in the March 6, 1943, issue of The Saturday Evening Post. All of the people in the picture were friends and family of Rockwell in Arlington, Vermont, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on Thanksgiving to depict the celebration, it has become an iconic representation for Americans of Thanksgiving and family holiday gatherings in general. The Post published Freedom from Want with a corresponding essay by Carlos Bulosan as part of the Four Freedoms series. Despite many who endured sociopolitical hardships abroad, Bulosan's essay spoke on behalf of those enduring the socioeconomic hardships domestically, and it thrust him into prominence.

The painting has had a wide array of adaptations, parodies, and other uses, such as for the cover for the 1946 book Norman Rockwell, Illustrator. Although the image was popular at the time in the United States and remains so, it caused resentment in Europe where the masses were enduring wartime hardship. Artistically, the work is highly regarded as an example of mastery of the challenges of white-on-white painting and as one of Rockwell's most famous works.

[Creeperopolis]

The Appaloosa is an American horse breed best known for its colorful spotted coat pattern. There is a wide range of body types within the breed, stemming from the influence of multiple breeds of horses throughout its history. Each horse's color pattern is genetically the result of various spotting patterns overlaid on top of one of several recognized base coat colors. The color pattern of the Appaloosa is of interest to those who study equine coat color genetics, as it and several other physical characteristics are linked to the leopard complex mutation (LP). Appaloosas are prone to develop equine recurrent uveitis and congenital stationary night blindness; the latter has been linked to the leopard complex.

Artwork depicting prehistoric horses with leopard spotting exists in prehistoric cave paintings in Europe. Images of domesticated horses with leopard spotting patterns appeared in artwork from Ancient Greece and Han dynasty China through the early modern period. In North America, the Nez Perce people of what today is the United States Pacific Northwest developed the original American spotted breed. Settlers once referred to these spotted horses as the "Palouse horse", possibly after the Palouse River, which ran through the heart of Nez Perce country. Gradually, the name evolved into Appaloosa.

The Nez Perce lost most of their horses after the Nez Perce War in 1877, and the breed fell into decline for several decades. A small number of dedicated breeders preserved the Appaloosa as a distinct breed until the Appaloosa Horse Club (ApHC) was formed as the breed registry in 1938. The modern breed maintains bloodlines tracing to the foundation bloodstock of the registry; its partially open stud book allows the addition of some Thoroughbred, American Quarter Horse and Arabian blood.

Today, the Appaloosa is one of the most popular breeds in the United States; it was named the state horse of Idaho in 1975. It is best known as a stock horse used in a number of western riding disciplines, but is also a versatile breed with representatives seen in many other types of equestrian activity. Appaloosas have been used in many movies; an Appaloosa is a mascot for the Florida State Seminoles. Appaloosa bloodlines have influenced other horse breeds, including the Pony of the Americas, the Nez Perce Horse, and several gaited horse breeds.

[Creeperopolis]

KEXP-FM (90.3 FM) is a non-commercial radio station in Seattle, Washington, United States, specializing in indie music programmed by its disc jockeys. KEXP's studios are located at the Seattle Center, and the transmitter is in the city's Capitol Hill neighborhood. The station is operated by the non-profit entity Friends of KEXP, an affiliate of the University of Washington.[3] Since March 19, 2024, KEXP-FM's programming has been rebroadcast over Alameda, California–licensed KEXC, which serves the San Francisco Bay Area.

As well as daily variety mix shows featuring mostly alternative rock music, KEXP hosts weekly programs dedicated to other musical genres, such as hip hop, Afrobeat, punk, ambient, alternative country, Latin music, and world music.[4] The station also regularly hosts live, in-studio performances by artists. Alongside its analog transmitters serving Seattle and San Francisco, the station offers an online live stream, a real-time playlist with DJ notes, and an actively maintained YouTube channel.[5]

Founded in 1972 as KCMU, the student-run station of the University of Washington, KEXP gained recognition for its influence on the regional music scene. It was the first station to air grunge bands like Nirvana and Soundgarden in the late 1980s. After partnering with the Experience Music Project, now the Museum of Pop Culture, in 2001, the station began to acquire an international listener base thanks to an early investment in internet streaming and its website. In 2014, the university transferred the FCC license of KEXP-FM to Friends of KEXP in exchange for on-air underwriting spots, granting the station independence in management and programming decisions.[6]

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[Creeperopolis]

The Mechanical Turk, also known as the Automaton Chess Player (German: Schachtürke, lit. 'chess Turk'; Hungarian: A Török), or simply the Turk, was a chess-playing machine, first displayed in 1770, which appeared to be able to play a strong game of chess autonomously, but whose pieces were in reality moved via levers and magnets by a chess master hidden in its lower cavity. The machine was toured and exhibited for 84 years as an automaton, and continued giving occasional exhibitions until 1854, when it was destroyed in a fire. In 1857, an article published by the owner's son provided the first full explanation of the mechanism, which had been widely suspected to be a hoax but never accurately described while the machine still existed.

Constructed by Wolfgang von Kempelen to impress Empress Maria Theresa of Austria, the Turk won most games, including those against statesmen such as Napoleon Bonaparte and Benjamin Franklin. It was purchased in 1804 by Johann Nepomuk Mälzel, who continued to exhibit it. Chess masters who operated it over this later period included Johann Allgaier, Boncourt, Aaron Alexandre, William Lewis, Jacques Mouret and William Schlumberger, but its operators during Kempelen's original tour remain unknown. The device could also perform the knight's tour, a puzzle that required the player to move a knight to visit every square of a chessboard exactly once.