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[Creeperopolis]

OneShot is a puzzle-adventure game developed by the indie studio Future Cat and published by Degica. Based on a free version made in 2014, it was released for Windows on December 8, 2016. A console adaptation, OneShot: World Machine Edition, was released for Nintendo Switch, PlayStation 4, and Xbox One on September 22, 2022.

OneShot's gameplay and plot break the fourth wall and involve metafictional elements. Many puzzles involve interacting with the computer's operating system outside of the game. Narratively, the player is separate from the protagonist, Niko. The latter arrives in a world without sunlight and aims to restore it by replacing its sun, a lightbulb, at the top of a tower.

OneShot was developed in RPG Maker XP. The game received positive reviews from critics, who praised the story, art, and metafictional aspects of gameplay, including the relationship between the player and Niko. In 2017, the game was nominated for the "PC Game of the Year" category at the Golden Joystick Awards.

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The National Flag of Canada (French: Drapeau national du Canada),[1] often simply referred to as the Canadian flag or, unofficially, as the Maple Leaf Flag or l'Unifolié (French: [l‿ynifɔlje]; lit. 'the one-leafed'), consists of a red field with a white square at its centre in the ratio of 1∶2∶1, in which is featured a stylized, red, 11-pointed maple leaf charged in the centre.[2] It is the first flag to have been adopted by both houses of Parliament and officially proclaimed by the Canadian monarch as the country's official national flag.[3] The flag has become the predominant and most recognizable national symbol of Canada.

In 1964, Prime Minister Lester B. Pearson formed a committee to resolve the ongoing issue of the lack of an official Canadian flag, sparking a debate about a flag change to replace the Union Flag. Out of three choices, the maple leaf design by Mount Allison University historian George Stanley,[4] based on the flag of the Royal Military College of Canada, was selected. The flag made its first official appearance on February 15, 1965; the date is now celebrated annually as National Flag of Canada Day.

Prior to 1965, the Canadian Red Ensign had been in unofficial use since the 1860s and was later officially approved by a 1945 Order in Council for use "wherever place or occasion may make it desirable to fly a distinctive Canadian flag".[5][6] Also, the Royal Union Flag remains an official flag in Canada, to symbolize Canada's allegiance to the monarch and membership in the Commonwealth of Nations.[7] There is no law dictating how the national flag is to be treated, but there are conventions and protocols to guide how it is to be displayed and its place in the order of precedence of flags, which gives it primacy over the aforementioned and most other flags.

Many different flags created for use by Canadian officials, government bodies, and military forces contain the maple leaf motif in some fashion, either by having the Canadian flag charged in the canton or by including maple leaves in the design. The Canadian flag also appears on the government's wordmark.

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Thomas Cranmer (2 July 1489 – 21 March 1556) was a leader of the English Reformation and Archbishop of Canterbury during the reigns of Henry VIII, Edward VI and, for a short time, Mary I. He helped build the case for the annulment of Henry's marriage to Catherine of Aragon, which was one of the causes of the separation of the English Church from union with the Holy See. Along with Thomas Cromwell, he supported the principle of royal supremacy, in which the king was considered sovereign over the Church within his realm.

During Cranmer's tenure as Archbishop of Canterbury, he established the first doctrinal and liturgical structures of the reformed Church of England. Under Henry's rule, Cranmer did not make many radical changes in the Church due to power struggles between religious conservatives and reformers. He published the first officially authorised vernacular service, the Exhortation and Litany.

When Edward came to the throne, Cranmer was able to promote major reforms. He wrote and compiled the first two editions of the Book of Common Prayer, a complete liturgy for the English Church. With the assistance of several Continental reformers to whom he gave refuge, he changed doctrine or discipline in areas such as the Eucharist, clerical celibacy, the role of images in places of worship, and the veneration of saints. Cranmer promulgated the new doctrines through the prayer book, the Homilies and other publications.

After the accession of the Catholic Mary I, Cranmer was put on trial for treason and heresy. Imprisoned for over two years and under pressure from Church authorities, he made several recantations and reconciled himself with the Catholic Church. While this would have customarily absolved him, Mary wanted him executed, and he was burned at the stake on 21 March 1556; on the day of his execution, he withdrew his recantations, to die a heretic to Catholics and a martyr for the principles of the English Reformation. Cranmer's death was immortalised in Foxe's Book of Martyrs and his legacy lives on within the Church of England through the Book of Common Prayer and the Thirty-Nine Articles, an Anglican statement of faith derived from his work.

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On Her Majesty's Secret Service is the tenth novel and eleventh book in Ian Fleming's James Bond series. It was first published in the United Kingdom by Jonathan Cape on 1 April 1963. Fleming changed the formula and structure from the previous novel, The Spy Who Loved Me, and made a determined effort to produce a work that adhered to his tried and tested format. The initial and secondary print runs sold out quickly, with over 60,000 copies sold in the first month, double that of the previous book's first month of sales. Fleming wrote the novel at Goldeneye, his holiday home in Jamaica, while Dr. No, the first entry in the James Bond film series by Eon Productions, was being filmed nearby.

On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concludes with You Only Live Twice. This episode centres on Bond's ongoing search to find Ernst Stavro Blofeld after the Thunderball incident. Bond finds Blofeld in Switzerland and attacks the centre where he is based, although Blofeld escapes in the confusion. Bond meets and falls in love with Contessa Teresa "Tracy" di Vicenzo during the story. The pair marry at the end of the novel, but hours after the ceremony, Blofeld and his partner, Irma Bunt, attack the couple and Tracy is killed. Fleming developed Bond's character within the book, showing an emotional side that was not present in the previous stories.

As he had done in previous novels, Fleming used his past experiences and details of people he met during his work to provide details in On Her Majesty's Secret Service. The novel is one of three Bond stories to deal with the disruption of markets and the economy, in this case Blofeld's planned disruption to the food supply by bioterrorism. The theme of food and drink is referred to throughout the novel, with Bond's meals and drinks being described in detail.

On Her Majesty's Secret Service received broadly positive reviews in the British and American press with some reviewers pleased at the return to the more traditional form of Bond storyline. The novel was adapted as a three-part story in Playboy in 1963, serialised in eleven parts in the Daily Express and then developed as a daily cartoon strip in the Daily Express in 1964–1965. In 1969 the novel was adapted as the sixth film in the Eon Productions James Bond film series and was the only film to star George Lazenby as Bond.

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The Statue of Liberty (Liberty Enlightening the World; French: La Liberté éclairant le monde) is a colossal neoclassical sculpture on Liberty Island in New York Harbor, within New York City. The copper statue, a gift to the United States from the people of France, was designed by French sculptor Frédéric Auguste Bartholdi and its metal framework was built by Gustave Eiffel. The statue was dedicated on October 28, 1886.

The statue is a figure of Libertas, the Roman goddess of liberty. She holds a torch above her head with her right hand, and in her left hand carries a tabula ansata inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals), the date of the U.S. Declaration of Independence. A broken chain and shackle lie at her feet as she walks forward, commemorating the national abolition of slavery following the American Civil War.[8] After its dedication the statue became an icon of freedom and of the United States, being subsequently seen as a symbol of welcome to immigrants arriving by sea.

The idea for the statue was conceived in 1865, when the French historian and abolitionist Édouard de Laboulaye proposed a monument to commemorate the upcoming centennial of U.S. independence (1876), the perseverance of American democracy and the liberation of the nation's slaves.[9] The Franco-Prussian War delayed progress until 1875, when Laboulaye proposed that the people of France finance the statue and the United States provide the site and build the pedestal. Bartholdi completed the head and the torch-bearing arm before the statue was fully designed, and these pieces were exhibited for publicity at international expositions.

The torch-bearing arm was displayed at the Centennial Exposition in Philadelphia in 1876, and in Madison Square Park in Manhattan from 1876 to 1882. Fundraising proved difficult, especially for the Americans, and by 1885 work on the pedestal was threatened by lack of funds. Publisher Joseph Pulitzer, of the New York World, started a drive for donations to finish the project and attracted more than 120,000 contributors, most of whom gave less than a dollar (equivalent to $34 in 2023). The statue was built in France, shipped overseas in crates, and assembled on the completed pedestal on what was then called Bedloe's Island. The statue's completion was marked by New York's first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland.

The statue was administered by the United States Lighthouse Board until 1901 and then by the Department of War; since 1933, it has been maintained by the National Park Service as part of the Statue of Liberty National Monument, and is a major tourist attraction. Limited numbers of visitors can access the rim of the pedestal and the interior of the statue's crown from within; public access to the torch has been barred since 1916.

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Edward Rudolph Bradley Jr. (June 22, 1941 – November 9, 2006) was an American broadcast journalist and news anchor who is best known for reporting with 60 Minutes and CBS News. After graduating from Cheyney State College, Bradley became a teacher and part-time radio disc jockey and reporter in Philadelphia, where his first major story was covering the 1964 Philadelphia race riot. He moved to New York City in 1967 and worked for WCBS as a radio news reporter. Four years later, Bradley moved to Paris, France, where he covered the Paris Peace Accords as a stringer for CBS News. In 1972, he transferred to Vietnam and covered the Vietnam War and the Cambodian Civil War, coverage for which he won Alfred I. duPont and George Polk awards. Bradley moved to Washington, D.C. following the wars and covered Jimmy Carter's first presidential campaign. He became CBS News' first African American White House correspondent, holding the position from 1976 to 1978. During this time, Bradley also anchored the Sunday night broadcast of the CBS Evening News, a position he held until 1981.

In 1981, Bradley joined 60 Minutes. While working for CBS News and 60 Minutes, he reported on approximately 500 stories and won numerous Peabody and Emmy awards for his work. He covered a wide range of topics, including the rescue of Vietnamese refugees, segregation in the United States, the AIDS epidemic in Africa, and sexual abuse within the Catholic Church. Bradley died in 2006 of leukemia.

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"Wildest Dreams" is a song by the American singer-songwriter Taylor Swift; it is the fifth single from her fifth studio album, 1989 (2014). Swift wrote the song with its producers Max Martin and Shellback. "Wildest Dreams" has an atmospheric balladic production incorporating programmed drums, Mellotron-generated and live strings, and synthesizers; the rhythm interpolates Swift's heartbeat. Critics described it as synth-pop, dream pop, and electropop. The lyrics feature Swift pleading with a lover to remember her even after their relationship ends. Big Machine in partnership with Republic Records released "Wildest Dreams" to radio on August 31, 2015.

When the song was first released, some critics found the production and Swift's vocals alluring but others found the track derivative, comparing it to the music of Lana Del Rey. Retrospectively, critics have described "Wildest Dreams" as one of Swift's most memorable songs. The single peaked within the top five on charts of Australia, Canada, Poland, and South Africa. It was certified eight-times platinum in Australia and platinum in Canada, Portugal, and the United Kingdom. In the United States, "Wildest Dreams" peaked at number five and became 1989's fifth consecutive top-ten single on the Billboard Hot 100; it peaked atop three of Billboard's airplay charts. The Recording Industry Association of America certified the track four-times platinum.

Joseph Kahn directed the music video for "Wildest Dreams". Set in 1950s Africa, it depicts Swift as a classical Hollywood actress who falls in love with her co-star but ends the fling upon completion of their film project. Media publications praised the production as cinematic but accused the video of glorifying colonialism, a claim that Kahn dismissed. Swift included "Wildest Dreams" in the set lists for two of her world tours, the 1989 World Tour (2015) and the Eras Tour (2023–2024). Following the dispute regarding the ownership of Swift's masters in 2019 and the viral popularity of "Wildest Dreams" on the social media site TikTok in 2021, Swift released the re-recorded version "Wildest Dreams (Taylor's Version)".

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ales of Monkey Island is a 2009 graphic adventure video game developed by Telltale Games under license from LucasArts. It is the fifth game in the Monkey Island series, released nearly a decade after the previous installment, Escape from Monkey Island. Developed for Windows and the Wii console, the game was released in five episodic segments, between July and December 2009. In contrast to Telltale's previous episodic adventure games, whose chapters told discrete stories, each chapter of Tales of Monkey Island is part of an ongoing narrative. The game was digitally distributed through WiiWare and Telltale's own website, and later through Steam and Amazon.com. Ports for OS X, the PlayStation Network, and iOS were released several months after the series ended.

Players assume the role of pirate Guybrush Threepwood, who—while attempting to destroy his nemesis, the undead pirate LeChuck—accidentally releases a voodoo pox across the Gulf of Melange. With the assistance of his wife, Elaine Marley–Threepwood, Guybrush seeks out a cure. The game was conceived in late 2008, due to renewed interest in adventure game development within LucasArts. It was developed concurrently with LucasArts' special edition of the 1990 game The Secret of Monkey Island; LucasArts oversaw production of Tales of Monkey Island, and ensured that it matched the remake in certain areas, such as art direction. Production began in early 2009; franchise creator Ron Gilbert was involved in project planning, while development was led by Dave Grossman, who co-designed the first two Monkey Island games. The game's music was composed by Michael Land, and the core cast of The Curse of Monkey Island reprised their voice roles.

Tales of Monkey Island received generally positive reviews. Critics praised the game's story, writing, humor, voice acting and characterization; 1UP.com described Guybrush as Telltale's strongest and most expressive character yet. The game's music and graphics were also lauded. Complaints focused primarily on the perceived erratic quality of the game's puzzle design, a weak supporting cast in the early chapters, and the game's control system. Tales of Monkey Island garnered several industry awards, and was Telltale's most commercially successful project until Back to the Future: The Game.

A sixth entry in the franchise, Return to Monkey Island by publisher Devolver Digital, Lucasfilm Games and Terrible Toybox, was released on September 19, 2022.[14]

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RoboCop is a 1987 American science fiction action film directed by Paul Verhoeven and written by Edward Neumeier and Michael Miner. The film stars Peter Weller, Nancy Allen, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, and Miguel Ferrer. Set in a crime-ridden Detroit in the near future, RoboCop centers on police officer Alex Murphy (Weller) who is murdered by a gang of criminals and revived by the megacorporation Omni Consumer Products as the cyborg law enforcer RoboCop. Unaware of his former life, RoboCop executes a campaign against crime while coming to terms with the lingering fragments of his humanity.

The film was conceived by Neumeier while working on the set of Blade Runner (1982), and he developed the idea with Miner. Their script was purchased in early 1985 by producer Jon Davison on behalf of Orion Pictures. Finding a director proved difficult; Verhoeven dismissed the script twice because he did not understand its satirical content, until he was convinced of its value by his wife. Filming took place between August and October 1986, mainly in Dallas, Texas. Rob Bottin led the special-effects team in creating practical effects, violent gore and the RoboCop costume.

Verhoeven emphasized violence throughout the film, making it so outlandish that it became comical. Censorship boards believed that it was too extreme, however, and several scenes were shortened or modified to receive an acceptable theatrical rating. RoboCop was a financial success upon its release in July 1987, earning $53.4 million. Reviewers praised it as a clever action film with deeper philosophical messages and satire, but were conflicted about its extreme violence. The film was nominated for several awards, and won an Academy Award and a number of Saturn Awards.

RoboCop has been critically reevaluated since its release, and it has been hailed as one of the best films of the 1980s and one of the greatest science fiction and action films ever made. The film has been praised for its depiction of a robot affected by the loss of humanity, in contrast to the stoic and emotionless robotic characters of that era. RoboCop has continued to be analyzed for its themes such as the nature of humanity, personal identity, corporate greed and corruption, and is seen as a rebuke of the era's Reaganomics policies. Its success created a franchise: the sequels RoboCop 2 (1990) and RoboCop 3 (1993), children's animated series, live-action television shows, video games, comic books, toys, clothing and other merchandise. A remake was released in 2014.