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The Réunion swamphen (Porphyrio caerulescens), also known as the Réunion gallinule or oiseau bleu (French for "blue bird"), is a hypothetical extinct species of rail that was endemic to the Mascarene island of Réunion. While only known from 17th- and 18th-century accounts by visitors to the island, it was scientifically named in 1848, based on the 1674 account by Sieur Dubois. A considerable literature was subsequently devoted to its possible affinities, with current researchers agreeing it was derived from the swamphen genus Porphyrio. It has been considered mysterious and enigmatic due to the lack of any physical evidence of its existence.

This is a bird that was described as entirely blue in plumage with a red beak and legs. It was said to be the size of a Réunion ibis or chicken, which could mean 65–70 cm (26–28 in) in length, and it may have been similar to the takahe. While easily hunted, it was a fast runner and able to fly, though it did so reluctantly. It may have fed on plant matter and invertebrates, as do other swamphens, and was said to nest among grasses and aquatic ferns. It was only found on the Plaine des Cafres plateau, to which it may have retreated during the latter part of its existence, whereas other swamphens inhabit lowland swamps. While the last unequivocal account is from 1730, it may have survived until 1763, but overhunting and the introduction of cats probably drove it to extinction.
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SS Politician was a cargo ship that ran aground off the coast of the Hebridean island of Eriskay in 1941. Her cargo included 22,000 cases of malt whisky and £3 million worth of Jamaican banknotes. Much of the whisky was recovered by islanders from across the Hebrides, contrary to marine salvage laws. Because no duty had been paid on the whisky, members of HM Customs and Excise pursued and prosecuted those who had removed the cargo.

Politician was completed in 1923 under the name London Merchant. She was a general cargo ship that traded between Britain, the United States and Canada, and up and down the west coast of the US. In 1924—during the years of American prohibition—Oregon's state prohibition commissioner seized her cargo of whisky despite its having been approved and sealed by US federal authorities. After the British Embassy in Washington complained to the US government, the whisky was released back to the ship. During the Second World War Politician participated in the Atlantic convoys between the UK and US. In February 1941 she was on her way to the north of Scotland, where she ran aground while attempting to rendezvous with a convoy. No-one was badly injured or killed in the accident.

The local islanders continually visited the wreck of Politician to unload whisky, even though it was in a hold filled with marine engine oil and seawater. Customs men undertook raids, arresting many and seizing the boats of those suspected of taking part. The excise authorities pushed for charges under the punitive customs legislation, but the authorities charged those arrested with theft. Many were found not guilty or not proven, and several were fined; 19 were incarcerated at Inverness Prison for terms ranging between 20 days and two months. Salvors were used to rescue as much of the ship as they could, and the whisky they raised was shipped back to its bonded warehouses; this was also looted during its journey. Two salvage crews removed much of the cargo, and the second crew raised the wreck off the seabed. Part of the ship's hold, and her stern, were cut away and sank to the bottom of Eriskay Sound; the remainder of the hold was destroyed by gelignite to prevent further looting.

A few of the Jamaican banknotes from Politician were presented at banks in Britain, Jamaica and other countries. As a result, in 1952 the blue ten-shilling notes were withdrawn and replaced with notes of the same design, printed in purple. Bottles of whisky have been raised from the seabed by divers, and some have been found in hiding places on Eriskay; these have been auctioned. The story of the wreck and looting was the basis for the book Whisky Galore; an adaptation was released as a film in 1949 and a remake in 2016.
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"Like I'm Gonna Lose You" is a song by American singer-songwriter Meghan Trainor from her debut major-label studio album Title (2015), featuring guest vocals from singer John Legend. Trainor wrote the song with Justin Weaver and Caitlyn Smith, and produced it with Chris Gelbuda. Epic Records released it as the album's fourth single on June 23, 2015. A soul love ballad, "Like I'm Gonna Lose You" is about savoring moments spent with loved ones and not taking them for granted.

Critics praised Trainor's vocals and the song's composition, but some thought its subdued style did not suit her. In the United States, "Like I'm Gonna Lose You" reached number eight on the Billboard Hot 100 and was certified 4× Platinum by the Recording Industry Association of America. It peaked at number one in Australia, New Zealand, and Poland, and attained 5× Platinum certifications in Australia and Canada.

Constellation Jones directed the music video for "Like I'm Gonna Lose You", featuring Trainor singing in a candlelit room on a rainy night while people engaged in a diverse variety of relationships are shown interacting with their loved ones. Trainor performed the song on television shows such as the Billboard Music Awards, Jimmy Kimmel Live!, and the American Music Awards, and included it on the set lists of her concert tours That Bass Tour (2015), MTrain Tour (2015), and The Untouchable Tour (2016).
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Blast Corps is an action game developed by Rare and published by Nintendo for the Nintendo 64. In the game, the player uses vehicles to destroy buildings in the path of a runaway nuclear missile carrier. In the game's 57 levels, the player solves puzzles by transferring between vehicles to move objects and bridge gaps. It was released in March 1997 in Japan and North America. A wider release followed at the end of that year.

The game was Rare's first game for the Nintendo 64. Its development team ranged between four and seven members, many of whom were recent graduates. The team sought to find gameplay to fit Rare co-founder Chris Stamper's idea for a building destruction game. The puzzle game mechanics were inspired by those of Donkey Kong (1994).

Blast Corps was released to critical acclaim and received Metacritic's second highest Nintendo 64 game ratings of 1997. The game sold one million copies—lower than the team's expectations—and received several editor's choice awards. Reviewers praised its originality, variety, and graphics, but some critiqued its controls and repetition. Reviewers of Rare's 2015 Rare Replay retrospective compilation noted Blast Corps as a standout title.
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Francis Ignatius Neale SJ (June 3, 1756 – December 20, 1837), also known as Francis Xavier Neale, was an American Catholic priest and Jesuit who led several academic and religious institutions in Washington, D.C. and Maryland. He played a substantial role in the Jesuit order's restoration in the United States.

Born to a prominent Maryland family, Neale was educated at the Colleges of Bruges and Liège, where he was ordained a priest. When Neale returned to the United States in 1788, he became the pastor of the church at St. Thomas Manor, where he aligned himself with the rural clergy in opposing Bishop John Carroll's founding of Georgetown College, believing it would draw resources away from the Jesuits' rural manors. He would conflict with Carroll over various issues for much of his life.

In 1790, Neale oversaw the establishment of the first Catholic church in Washington, D.C., Holy Trinity Church, of which he was pastor for 27 years. He also established the Church of St. Mary in Alexandria, Virginia, and was its visiting pastor. Neale was briefly the acting president of Georgetown College, and later became its president in 1809. His tenure was considered unsuccessful, as the number of students declined dramatically due to his implementation of strict monastic discipline.

When the Jesuit order was restored in the United States in 1806, Neale joined the Society and became the master of novices at Georgetown. He was also made treasurer of the Jesuits' Maryland mission. He spent his later years as the spiritual director to the nuns at the Georgetown Visitation Monastery and the pastor at St. Thomas Manor.
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Singin' and Swingin' and Gettin' Merry like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume.[1] Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom"[2] and critic Lyman B. Hagen calls it "a journey of discovery and rebirth".[3]

In Singin' and Swingin', Angelou examines many of the same subjects and themes in her previous autobiographies including travel, music, race, conflict, and motherhood. Angelou depicts the conflict she felt as a single mother, despite her success as a performer as she travels Europe with the musical Porgy and Bess. Her depictions of her travels, which take up 40 percent of the book, have roots in the African-American slave narrative. Angelou uses music and musical concepts throughout Singin' and Swingin'; McPherson calls it Angelou's "praisesong" to Porgy and Bess.[4] Angelou's stereotypes about race and race relations are challenged as she interacts more with people of different races. During the course of this narrative, she changes her name from Marguerite Johnson to Maya Angelou for professional reasons. Her young son changes his name as well, from Clyde to Guy, and their relationship is strengthened as the book ends.
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Between 1952 and 1954, John Raymond published four digest-size science fiction and fantasy magazines. Raymond was an American publisher of men's magazines who knew little about science fiction, but the field's rapid growth and a distributor's recommendation prompted him to pursue the genre. Raymond consulted and then hired Lester del Rey to edit the first magazine, Space Science Fiction, which appeared in May 1952. Following a second distributor's suggestion that year, Raymond launched Science Fiction Adventures, which del Rey again edited, but under an alias. In 1953, Raymond gave del Rey two more magazines to edit: Rocket Stories, which targeted a younger audience, and Fantasy Magazine, which published fantasy rather than science fiction.

All four magazines were profitable, but Raymond did not reinvest the profits in improving the magazines and was late in paying contributors. Del Rey persuaded Raymond to invest some of the profits back into the magazines, but nothing came of this, and when del Rey discovered that Raymond was planning to cut rates instead, he resigned. Two of the magazines continued for a short time with Harry Harrison as editor, but by the end of 1954 all four magazines had ceased publication.

The magazines are well regarded by science fiction historians; they carried fiction by many names well known in the field, or who would later become famous, including Isaac Asimov, Philip K. Dick, Robert E. Howard, and John Jakes.
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Aliens is a 1986 science fiction action film written and directed by James Cameron. It is the sequel to the 1979 science fiction horror film Alien, and the second film in the Alien franchise. The film is set in the far future; Sigourney Weaver stars as Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon where her crew first saw the alien creatures, Ripley agrees to return to the site with a unit of Colonial Marines to investigate. Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn feature in supporting roles.

Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated changes in management. Although relatively inexperienced, Cameron was hired to write a story for Aliens in 1983 on the strength of his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985). The project then stalled again until a new Fox executive, Lawrence Gordon, decided to pursue it. On an approximately $18.5 million budget, Aliens began principal photography in September 1985. The filming process was tumultuous, and rife with conflicts between Cameron and the British crew at Pinewood Studios. These difficulties gave the composer, James Horner, little time to record the music.

Aliens was released on July 18, 1986, to critical acclaim. Reviewers praised its action, although some criticized the intensity of certain scenes. Weaver's, Bill Paxton’s and Jenette Goldstein’s performances were consistently praised. The film received several nominations and awards, including an Academy Award nomination for Best Actress for Weaver at a time when the academy had historically tended to overlook the science-fiction genre. Aliens earned $131.1–183.3 million during its theatrical run, making it one of the highest-grossing films of 1986 worldwide.

Aliens is now considered by many critics to be among the greatest films of the 1980s; among the best science fiction, action, and sequel films ever made; and arguably as good as Alien or even better. It expanded the scope of the series by adding backstory and factions such as the Colonial Marines. Aliens inspired a variety of merchandise, including video games, comic books, and toys. The film was followed by two more sequels – Alien 3 (1992) and Alien Resurrection (1997), neither of which were as successful, and by two prequels Prometheus (2012) and Alien: Covenant (2017).
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