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Joan (Autumn/Winter 1998) was the twelfth collection by British fashion designer Alexander McQueen for his eponymous fashion house. Continuing McQueen's dual fascination with religion and violence, it was inspired by imagery of persecution, most significantly the 1431 martyrdom of French Catholic saint Joan of Arc, who was burned at the stake. The collection's palette was mainly red, black, and silver; colours which evoked notions of warfare, death, blood, and flames. Many looks referenced ecclesiastical garments and medieval armour, including several items that mimicked chainmail and one ensemble that had actual silver-plated armour pieces.

The runway show was staged on 25 February 1998 at Gatliff Road Warehouse in London. McQueen caused an upset by banning several tabloid journalists, one of whom responded with an angry editorial. Production was handled by McQueen's usual creative team. The set design for Joan was sparse and industrial: a dark room lit by metal lamps suspended over the runway. The 100-foot (30 m) runway was covered in black ashes, and models entered through a black backdrop backlit in red. Ninety-one looks were presented; primarily womenswear with some menswear.[a] The show concluded with model Svetlana wearing a red beaded dress which covered her face, swaying in a circle of flames.

Critical response to the clothing and the runway show for Joan was positive, and it is regarded as one of McQueen's most memorable shows. Academic analysis has focused on interpretation of the styling, the finale, and the meaning of several garments printed with a photograph of children. Several items from Joan have appeared in museum exhibitions, including Alexander McQueen: Savage Beauty and Lee Alexander McQueen: Mind, Mythos, Muse.