12-16-2024, 12:33 AM
The Apocalypse of Peter,[note 1] also called the Revelation of Peter, is an early Christian text of the 2nd century and a work of apocalyptic literature. It is the earliest-written extant work depicting a Christian account of heaven and hell in detail. The Apocalypse of Peter is influenced by both Jewish apocalyptic literature and Greek philosophy of the Hellenistic period. The text is extant in two diverging versions based on a lost Koine Greek original: a shorter Greek version and a longer Ethiopic version.
The work is pseudepigraphal: it is purportedly written by the disciple Peter, but its actual author is unknown. The Apocalypse of Peter describes a divine vision experienced by Peter through the risen Jesus Christ. After the disciples inquire about signs of the Second Coming of Jesus, the work delves into a vision of the afterlife (katabasis), and details both heavenly bliss for the righteous and infernal punishments for the damned. In particular, the punishments are graphically described in a physical sense, and loosely correspond to "an eye for an eye" (lex talionis): blasphemers are hung by their tongues; liars who bear false witness have their lips cut off; callous rich people are pierced by stones while being made to go barefoot and wear filthy rags, mirroring the status of the poor in life; and so on.
The Apocalypse of Peter is not included in the standard canon of the New Testament, but is classed as part of New Testament apocrypha. It is listed in the canon of the Muratorian fragment, a 2nd-century list of approved books in Christianity and one of the earliest surviving proto-canons. However, the Muratorian fragment expresses some hesitation on the work, saying that some authorities would not have it read in church. While the Apocalypse of Peter influenced other Christian works in the 2nd, 3rd, and 4th centuries, it came to be considered inauthentic and declined in use. It was largely superseded by the Apocalypse of Paul, a popular 4th-century work heavily influenced by the Apocalypse of Peter that provides its own updated vision of heaven and hell. The Apocalypse of Peter is a forerunner of the same genre as the Divine Comedy of Dante, wherein the protagonist takes a tour of the realms of the afterlife.
The work is pseudepigraphal: it is purportedly written by the disciple Peter, but its actual author is unknown. The Apocalypse of Peter describes a divine vision experienced by Peter through the risen Jesus Christ. After the disciples inquire about signs of the Second Coming of Jesus, the work delves into a vision of the afterlife (katabasis), and details both heavenly bliss for the righteous and infernal punishments for the damned. In particular, the punishments are graphically described in a physical sense, and loosely correspond to "an eye for an eye" (lex talionis): blasphemers are hung by their tongues; liars who bear false witness have their lips cut off; callous rich people are pierced by stones while being made to go barefoot and wear filthy rags, mirroring the status of the poor in life; and so on.
The Apocalypse of Peter is not included in the standard canon of the New Testament, but is classed as part of New Testament apocrypha. It is listed in the canon of the Muratorian fragment, a 2nd-century list of approved books in Christianity and one of the earliest surviving proto-canons. However, the Muratorian fragment expresses some hesitation on the work, saying that some authorities would not have it read in church. While the Apocalypse of Peter influenced other Christian works in the 2nd, 3rd, and 4th centuries, it came to be considered inauthentic and declined in use. It was largely superseded by the Apocalypse of Paul, a popular 4th-century work heavily influenced by the Apocalypse of Peter that provides its own updated vision of heaven and hell. The Apocalypse of Peter is a forerunner of the same genre as the Divine Comedy of Dante, wherein the protagonist takes a tour of the realms of the afterlife.
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