04-19-2023, 12:12 AM
Logan, a Family History is a Gothic novel of historical fiction by American writer John Neal. Published anonymously in Baltimore in 1822, the book is inspired by the true story of Mingo leader Logan the Orator, but weaves a highly fictionalized story of interactions between Anglo-American colonists and Indigenous peoples on the western frontier of colonial Virginia. It depicts the genocide of Native Americans and follows a long cast of characters connected to each other in a complex web of overlapping interests.
Logan was Neal's second novel, but his first notable success, attracting generally favorable reviews in both the US and UK. He wrote the story over a six-to-eight-week stretch at a time when he was producing more novels and juggling more responsibilities than any other period of his life. Likely a commercial failure for the publisher, who refused to work with Neal in the future, the book nevertheless saw three printings in the UK. Scholars criticize the story's profound excessiveness and incoherence, but praise its pioneering and successful experimentation with psychological horror, verisimilitude, sexual guilt in male characters, impacts of intergenerational violence, and documentation of interracial relationships and intersections between sex and violence on the American frontier.
These experimentations influenced later American writers and foreshadowed fiction by Nathaniel Hawthorne, Walt Whitman, Robert Montgomery Bird, and Edgar Allan Poe. The novel is considered important by scholars studying the roles of Gothic literature and Indigenous identities in fashioning an American national identity. It advanced the American literary nationalist goal of developing a new native literature by experimenting with natural diction, distinctly American characters, regional American colloquialism, and fiercely independent rhetoric. It is considered unique amongst contemporary fiction for the preponderance of sexually explicit content and gratuitous violence.
Logan was Neal's second novel, but his first notable success, attracting generally favorable reviews in both the US and UK. He wrote the story over a six-to-eight-week stretch at a time when he was producing more novels and juggling more responsibilities than any other period of his life. Likely a commercial failure for the publisher, who refused to work with Neal in the future, the book nevertheless saw three printings in the UK. Scholars criticize the story's profound excessiveness and incoherence, but praise its pioneering and successful experimentation with psychological horror, verisimilitude, sexual guilt in male characters, impacts of intergenerational violence, and documentation of interracial relationships and intersections between sex and violence on the American frontier.
These experimentations influenced later American writers and foreshadowed fiction by Nathaniel Hawthorne, Walt Whitman, Robert Montgomery Bird, and Edgar Allan Poe. The novel is considered important by scholars studying the roles of Gothic literature and Indigenous identities in fashioning an American national identity. It advanced the American literary nationalist goal of developing a new native literature by experimenting with natural diction, distinctly American characters, regional American colloquialism, and fiercely independent rhetoric. It is considered unique amongst contemporary fiction for the preponderance of sexually explicit content and gratuitous violence.
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