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[Creeperopolis]

Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms, a series of four oil paintings by American artist Norman Rockwell. The paintings were inspired by the Four Freedoms, a set of four goals articulated by Franklin D. Roosevelt, the president of the United States, in his 1941 State of the Union address.

Freedom from Want was created in November 1942 and published in the March 6, 1943, issue of The Saturday Evening Post. All of the people in the picture were friends and family of Rockwell in Arlington, Vermont, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on Thanksgiving to depict the celebration, it has become an iconic representation for Americans of Thanksgiving and family holiday gatherings in general. The Post published Freedom from Want with a corresponding essay by Carlos Bulosan as part of the Four Freedoms series. Despite many who endured sociopolitical hardships abroad, Bulosan's essay spoke on behalf of those enduring the socioeconomic hardships domestically, and it thrust him into prominence.

The painting has had a wide array of adaptations, parodies, and other uses, such as for the cover for the 1946 book Norman Rockwell, Illustrator. Although the image was popular at the time in the United States and remains so, it caused resentment in Europe where the masses were enduring wartime hardship. Artistically, the work is highly regarded as an example of mastery of the challenges of white-on-white painting and as one of Rockwell's most famous works.

[Creeperopolis]

The Appaloosa is an American horse breed best known for its colorful spotted coat pattern. There is a wide range of body types within the breed, stemming from the influence of multiple breeds of horses throughout its history. Each horse's color pattern is genetically the result of various spotting patterns overlaid on top of one of several recognized base coat colors. The color pattern of the Appaloosa is of interest to those who study equine coat color genetics, as it and several other physical characteristics are linked to the leopard complex mutation (LP). Appaloosas are prone to develop equine recurrent uveitis and congenital stationary night blindness; the latter has been linked to the leopard complex.

Artwork depicting prehistoric horses with leopard spotting exists in prehistoric cave paintings in Europe. Images of domesticated horses with leopard spotting patterns appeared in artwork from Ancient Greece and Han dynasty China through the early modern period. In North America, the Nez Perce people of what today is the United States Pacific Northwest developed the original American spotted breed. Settlers once referred to these spotted horses as the "Palouse horse", possibly after the Palouse River, which ran through the heart of Nez Perce country. Gradually, the name evolved into Appaloosa.

The Nez Perce lost most of their horses after the Nez Perce War in 1877, and the breed fell into decline for several decades. A small number of dedicated breeders preserved the Appaloosa as a distinct breed until the Appaloosa Horse Club (ApHC) was formed as the breed registry in 1938. The modern breed maintains bloodlines tracing to the foundation bloodstock of the registry; its partially open stud book allows the addition of some Thoroughbred, American Quarter Horse and Arabian blood.

Today, the Appaloosa is one of the most popular breeds in the United States; it was named the state horse of Idaho in 1975. It is best known as a stock horse used in a number of western riding disciplines, but is also a versatile breed with representatives seen in many other types of equestrian activity. Appaloosas have been used in many movies; an Appaloosa is a mascot for the Florida State Seminoles. Appaloosa bloodlines have influenced other horse breeds, including the Pony of the Americas, the Nez Perce Horse, and several gaited horse breeds.