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1271 Avenue of the Americas (formerly known as the Time & Life Building) is a 48-story skyscraper[a] on Sixth Avenue (Avenue of the Americas), between 50th and 51st streets, in the Midtown Manhattan neighborhood of New York City. Designed by architect Wallace Harrison of Harrison, Abramovitz, and Harris, the building was developed between 1956 and 1960 as part of Rockefeller Center.

The building's eight-story base partially wraps around its 48-story main tower. Both sections are surrounded by a plaza, which has white-and-gray pavement in a serpentine pattern, as well as water fountains. The facade consists of glass panels between limestone columns. The lobby contains serpentine floors, white-marble and stainless-steel walls, and reddish-burgundy glass ceilings, in addition to artwork by Josef Albers, Fritz Glarner, and Francis Brennan. The ground floor also includes storefronts and originally housed La Fonda del Sol, a Latin American–themed restaurant. Each of the upper floors covers 28,000 sq ft (2,600 m2), with the offices arranged around the core. The 48th floor originally contained the Hemisphere Club, which operated as a members-only restaurant during the day and was open to the public during evenings.

After Time Inc. expressed its intention to move from 1 Rockefeller Plaza in the 1950s, Rockefeller Center's owners proposed a skyscraper at 1271 Avenue of the Americas to accommodate the move. Construction started in May 1957; the building was topped out during November 1958, and occupants began moving into their offices in late 1959. The New York City Landmarks Preservation Commission designated the lobby as a city landmark in 2002. Time Inc. vacated 1271 Avenue of the Americas in 2015, and the building was subsequently renovated between 2015 and 2019.

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American Writers is a work of literary criticism by American writer and critic John Neal. Published by Blackwood's Edinburgh Magazine in five installments between September 1824 and February 1825, it is recognized by scholars as the first history of American literature and the first substantial work of criticism concerning US authors. It is Neal's longest critical work and at least 120 authors are covered, based entirely on Neal's memory. With no notes or books for reference, Neal made multiple factually inaccurate claims and provided coverage of many authors that modern scholars criticize as disproportionate to their role in American literature. Scholars nevertheless praise the staying power of Neal's opinions, many of which are reflected by other critics decades later, notably "Fenimore Cooper's Literary Offenses" by Mark Twain. Theories of poetry and prose in American Writers foreshadowed and likely influenced later works by Edgar Allan Poe and Walt Whitman. Neal argued American literature relied too much on British precedent and had failed to develop its own voice. He offered sharp criticism of many authors while simultaneously urging critics not to offer writers from the US undeserved praise, lest it stifle the development of a truly distinct American literature. Poe's later critical essays on literature reflected these strictures.

Neal wrote the series in London, where he lived between 1824 and 1827. Having moved there from Baltimore, his goals were to establish himself as America's leading literary figure, encourage the development of a uniquely American writing style, and reverse British disdain for literature from the US. He soon became the first American published in any British literary journal, American Writers being the longest and best-remembered of his works on American topics in multiple UK periodicals. He wrote for Scottish publisher William Blackwood under an English pseudonym, which Neal assumed was convincing. Blackwood and British readers likely realized they were reading the work of an American, and multiple leading American periodicals outed Neal before the series was completed.

The series was well received in the UK and exerted influence over British critics, some of whom copied Neal's analyses and misinformation into their own essays. It conversely drew considerable ire from US journalists, none more severe than William Lloyd Garrison, who warned Neal to be on guard should he return to his home country. When he did, Neal found inflammatory broadsides and in-person hostility in his hometown of Portland, Maine, leading to a fistfight. In defiance, he decided to stay in Portland, where he lived until his death forty-nine years later. The first postmortem republication of a substantial work by Neal was 1937, when Fred Lewis Pattee collected American Writers for the first time into one publication. That 1937 edition remains the most accessible of Neal's literary productions.

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SMS Niobe[a] was the second of ten Gazelle-class light cruisers that were built for the German Kaiserliche Marine (Imperial Navy) in the late 1890s and early 1900s. The Gazelle class was the culmination of earlier unprotected cruiser and aviso designs, combining the best aspects of both types in what became the progenitor of all future light cruisers of the Imperial fleet. Built to serve with the main German fleet and as a colonial cruiser, she was armed with a battery of ten 10.5 cm (4.1 in) guns and a top speed of 21.5 knots (39.8 km/h; 24.7 mph). The ship had a long career, serving in the German, Yugoslav, and Italian fleets over the span of more than forty years.

Niobe served in both home and overseas waters in the Imperial Navy, serving in a variety of roles, including as a flotilla leader for torpedo boats, as a scout for the main fleet, and as a station ship with the East Asia Squadron. After the outbreak of World War I, the ship joined the vessels tasked with defending Germany's North Sea coast. By late 1915, she was withdrawn from active service and used as a headquarters ship for various commands. She was disarmed in 1917, but as one of the cruisers permitted to the postwar Reichsmarine (Navy of the Realm) by the Treaty of Versailles, she was modernized and rearmed in the early 1920s.

The ship saw no active service with the Reichsmarine and, in 1925, Germany sold the ship to the Kingdom of Serbs, Croats and Slovenes (later Yugoslavia). There, she was renamed Dalmacija and served in the Royal Yugoslav Navy until April 1941, when she was captured by the Italians during the Axis invasion of Yugoslavia. Renamed Cattaro, she served in the Italian Regia Marina (Royal Navy) until the Italian surrender in September 1943. She was then seized by the German occupiers of Italy, who restored her original name. She was used in the Adriatic Sea briefly until December 1943, when she ran aground on the island of Silba, and was subsequently destroyed by British motor torpedo boats. The wreck was ultimately salvaged and broken up for scrap between 1947 and 1952.

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The Battle of the Bagradas River was fought between a Carthaginian army led by Hamilcar Barca, who was victorious, and a rebel force led by Spendius in 240 BC in what is now north-east Tunisia. Carthage was fighting a coalition of mutinous soldiers and rebellious African cities in the Mercenary War, which had started late the previous year in the wake of the First Punic War. The rebels were blockading Carthage and besieging the northern ports of Utica and Hippo (modern Bizerte). A Carthaginian army commanded by Hanno had attempted and failed to relieve Utica early in 240 BC. A second army was assembled in Carthage and entrusted to Hamilcar, who had commanded Carthaginian forces on Sicily for the last six years of the First Punic War.

The new Carthaginian army left Carthage and evaded the rebel blockade by crossing the Bagradas River (the modern Medjerda River) at its mouth. Rebel armies commanded by Spendius from both the Utica siege and a camp guarding the only bridge over the lower Bagradas River marched towards the Carthaginians. When they came into sight Hamilcar ordered the Carthaginians to feign a retreat. The rebels broke ranks to chase after the Carthaginians and this impetuous pursuit caused them to fall into confusion. Once the rebels had drawn close, the Carthaginians turned and charged them. The rebels broke and were routed. The Carthaginians pursued, killing or capturing many of the rebels and taking the fortifications guarding the bridge.

This victory gave Hamilcar freedom to manoeuvre and the operational initiative. He confronted towns and cities that had gone over to the rebels, bringing them back to Carthaginian allegiance. Spendius confronted Hamilcar again in the mountains of north west Tunisia and Hamilcar was again victorious. Spendius had his Carthaginian prisoners tortured to death. Hamilcar in turn had existing and future prisoners trampled to death by elephants. After two further years of increasingly bitter warfare the rebels were worn down and eventually defeated at the Battle of Leptis Parva.

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Chitty-Chitty-Bang-Bang: The Magical Car is a children's story written by Ian Fleming and illustrated by John Burningham. It was initially published in three volumes, the first of which was released on 22 October 1964 by Jonathan Cape, before being published as one book. The story concerns the exploits of Chitty-Chitty-Bang-Bang—a car with hidden powers and abilities—and its owners, the Pott family.

Fleming, better known as the creator of James Bond, took his inspiration for the subject from a series of aero-engined racing cars called "Chitty Bang Bang", built by Louis Zborowski in the early 1920s. Fleming wrote the book while convalescing after having had a major heart attack; he had created the story as a bedtime story for his son, Caspar. Although Fleming wanted The Daily Mail cartoonist Trog—the pseudonym of Wally Fawkes—as the book's illustrator, the newspaper did not allow him to work on the project, so Burningham was commissioned. Fleming did not live to see Chitty-Chitty-Bang-Bang published; he died of a heart attack on 11 August 1964 and the book was published two months later.

Chitty-Chitty-Bang-Bang was serialised in the Daily Express and adapted as a comic strip. The book was loosely adapted as a 1968 film of the same name with a screenplay by Roald Dahl and Ken Hughes; a subsequent novelisation was also published. The film was produced by Albert R. Broccoli, the co-producer of the James Bond film series. The story was also adapted as a stage musical under the same name. In April 2011 a BBC Radio 4 Extra adaptation was broadcast with Imogen Stubbs as the voice of Chitty. Three sequels to Fleming's book have been published, all written by Frank Cottrell-Boyce.

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The Tomb of Antipope John XXIII is the marble-and-bronze tomb monument of Antipope John XXIII (Baldassare Cossa, c. 1360–1419), created by Donatello and Michelozzo for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossa's will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence. According to Ferdinand Gregorovius, the tomb is "at once the sepulchre of the Great Schism in the church and the last papal tomb which is outside Rome itself".[1]

Cossa had a long history , the tomb and the linkage between Cossa and Florence have been interpreted as a snub to Cossa's successor Pope Martin V[2] or vicarious "Medici self-promotion", as such a tomb would have been deemed unacceptable for a Florentine citizen.[3]

The tomb monument's design included figures of the three Virtues in niches, Cossa's family arms, a gilded bronze recumbent effigy laid out above an inscription-bearing sarcophagus supported on corbel brackets, and above it a Madonna and Child in a half-lunette, with a canopy over all. At the time of its completion, the monument was the tallest sculpture in Florence,[4] and one of very few tombs within the Baptistry or the neighboring Duomo.[5] The tomb monument was the first of several collaborations between Donatello and Michelozzo, and the attribution of its various elements to each of them has been debated by art historians, as have the interpretations of its design and iconography.

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The Bonn–Oberkassel dog (German: Hund von Bonn–Oberkassel) was a Late Paleolithic (c. 14,000 years BP / c. 12,000 BCE) dog whose skeletal remains were found buried alongside two humans. Discovered in early 1914 by quarry workers in Oberkassel, Bonn, Germany, the double burial site was analyzed by a team of archaeologists from the University of Bonn. It was around 7.5 months old at death, 40–50 cm (16–20 in) tall at the shoulder, and weighed 13–18 kg (29–40 lb), suggesting a slender build similar to West Asian wolves (such as the Indian wolf) or some modern sighthounds.

The dog's lower jaw was first thought to be from a wolf and placed into museum storage with the human remains, while the dog's other bones were put into the university's geological collections. The bones of the Bonn–Oberkassel dog were reunited in the late 1970s and reidentified as a domestic dog attributed to the Magdalenian culture, dating to the beginning of the Late Glacial Interstadial, c. 14,000 BP. A total of 32 identifiable bone fragments have been attributed to the dog. These have been used to estimate a number of the animal's characteristics.

Osteoarthritis, alongside signs of enamel defects, missing teeth, and gum disease, indicate that the Bonn–Oberkassel dog survived a canine distemper infection as a puppy. Due to the high likelihood of death without assistance, the puppy's survival was probably due to human care. Such care would have involved providing food and water, as well as frequent cleaning. Extensive human care suggests significant compassion towards the dog, possibly indicating that the dog was seen as a pet. It is unknown how the dog died; it may have been due to the effects of its illness or other natural causes. An alternate possibility is that it was killed or sacrificed to be buried alongside the humans, an archaeologically attested practice linked to spiritual and religious motives. A molar belonging to a second, older dog was found at the site, likely used as a grave good.

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During the 1984–85 English football season, Gillingham F.C. competed in the Football League Third Division, the third tier of the English football league system. It was the 53rd season in which Gillingham competed in the Football League, and the 35th since the club was voted back into the league in 1950. Gillingham started the Third Division season with five wins in the first seven games and were challenging for a place in the top three of the league table, which would result in promotion to the Second Division. The team's performances then declined, culminating in a 7–1 defeat to York City in November which left them in mid-table. They then won 12 out of 16 games to go back up to second place, before a poor run in March meant that they again dropped out of the promotion places. Gillingham finished the season fourth in the table, missing promotion by one place.

Gillingham also competed in three knock-out competitions, reaching the fourth round of the FA Cup and the second round of the Football League Cup but losing in the first round of the Associate Members' Cup. The team played 56 competitive matches, winning 30, drawing 9, and losing 17. Tony Cascarino was the club's leading goalscorer, scoring 20 goals in all competitions. Keith Oakes made the most appearances, playing 54 times. The highest attendance recorded at the club's home ground, Priestfield Stadium, was 8,881 for a League Cup game against Leeds United in September.

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Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Catholicism and from Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).

Although teaching the existence of a creator divinity, commonly called Nsambi, Palo regards this entity as being uninvolved in human affairs and instead focuses its attention on the spirits of the dead. Central to Palo is the nganga, a vessel usually made from an iron cauldron. Many nganga are regarded as material manifestations of ancestral or nature deities known as mpungu. The nganga will typically contain a wide range of objects, among the most important being sticks and human remains, the latter called nfumbe. In Palo, the presence of the nfumbe means that the spirit of that dead person inhabits the nganga and serves the palero or palera who possesses it. The Palo practitioner commands the nganga to do their bidding, typically to heal but also to cause harm. Those nganga primarily designed for benevolent acts are baptised; those largely designed for malevolent acts are left unbaptised. The nganga is "fed" with the blood of sacrificed animals and other offerings, while its will and advice is interpreted through divination. Group rituals often involve singing, drumming, and dancing to facilitate possession by spirits of the dead.

Palo developed among Afro-Cuban communities following the Atlantic slave trade of the 16th to 19th centuries. It emerged largely from the traditional religions brought to Cuba by enslaved Bakongo people from Central Africa, but also incorporated ideas from Roman Catholicism, the only religion legally permitted on the island by the Spanish colonial government. The minkisi, spirit-vessels that were key to various Bakongo healing societies, provided the basis for the nganga of Palo. The religion took its distinct form around the late 19th or early 20th century, about the same time that Yoruba religious traditions merged with Roman Catholic and Spiritist ideas in Cuba to produce Santería. After the Cuban War of Independence resulted in an independent republic in 1898, the country's new constitution enshrined freedom of religion. Palo nevertheless remained marginalized by Cuba's Roman Catholic, Euro-Cuban establishment, which typically viewed it as brujería (witchcraft), an identity that many Palo practitioners have since embraced. In the 1960s, growing emigration following the Cuban Revolution spread Palo abroad.

Palo is divided into multiple traditions or ramas, including Mayombe, Monte, Briyumba, and Kimbisa, each with their own approaches to the religion. Many practitioners also identify as Roman Catholics and practice additional Afro-Cuban traditions such as Santería or Abakuá. Palo is most heavily practiced in eastern Cuba although it is found throughout the island and abroad, including in other parts of the Americas such as Venezuela, Mexico, and the United States. In many of these countries, Palo practitioners have faced problems with law enforcement for engaging in grave robbery to procure human bones for their nganga.

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Mountain pigeons are four species of birds in the genus Gymnophaps in the pigeon family Columbidae. They are found on islands in eastern Indonesia and Melanesia, where they inhabit hill and montane forest. Medium-sized pigeons with long tails and wings, they are 33–38.5 cm (13.0–15.2 in) long and weigh 259–385 g (9.1–13.6 oz). They mostly have dull grey, white, or chestnut-brown plumage, their most distinctive feature being bright red skin around the eyes. Males and females mostly look alike, but the Papuan and pale mountain pigeons show slight sexual dimorphism. Mountain pigeons are very social and are usually seen in flocks of 10–40 birds, although some species can form flocks of more than 100 individuals. They are generally quiet and do not make many vocalisations apart from a distinctive whooshing noise while leaving their high-altitude roosts to feed in the morning.

The genus was originally described by the Italian zoologist Tommaso Salvadori in 1874 and currently contains the Papuan, Seram, Buru, and pale mountain pigeons. The species are allopatric (having geographically separated populations) and form a single superspecies. Mountain pigeons are arboreal (tree-inhabiting) and feed on a wide variety of fruit-like figs and drupes, mainly foraging for food in the canopy. Nests can be of two types: a shallow depression in the forest floor or short grass; and a platform of sticks placed at a height of several metres in a tree. Clutches consist of a single white egg. All four species are listed as being of least concern on the IUCN Red List.