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Josip "Jozo" Tomasevich (March 16, 1908 – October 15, 1994; Serbo-Croatian: Josip Tomašević) was an American economist and historian whose speciality was the economic and social history of Yugoslavia. Tomasevich was born in the Kingdom of Dalmatia, then part of Austria-Hungary, and after completing high school and attending a commercial academy, he earned a doctorate in economics from the University of Basel in Switzerland. In the mid-1930s, he worked at the National Bank of Yugoslavia in Belgrade and published three well-received books on Yugoslavia's national debt, fiscal policy, and money and credit respectively.

In 1938, he moved to the United States as the recipient of a two-year Rockefeller fellowship and conducted research at Harvard University before joining the academic staff of Stanford University. During World War II, Tomasevich worked for the Board of Economic Warfare and the United Nations Relief and Rehabilitation Administration, and post-war he joined the Federal Reserve Bank in San Francisco. In 1948, he joined the staff at San Francisco State College (later San Francisco State University). He combined research and teaching there for twenty-five years until his retirement in 1973, which was broken by a year of teaching at Columbia University in 1954. Between 1943 and 1955, Tomasevich published two positively reviewed books on economic matters; one focused on marine resources and the other on the peasant economy of Yugoslavia.

Tomasevich then embarked on an extensive research and writing project on Yugoslavia in World War II – War and Revolution in Yugoslavia 1941–1945 – which was planned to consist of three volumes. Supported by grants and fellowships, he published the first volume titled The Chetniks in 1975, which explored the development and fate of the Chetnik movement during the war. The book was well received, and twenty-five years later was described by the Yugoslav and Croatian historian Ivo Goldstein as still the "most complete and best book about the Chetniks to be published either abroad or in former Yugoslavia". After his retirement he was appointed professor emeritus of economics at San Francisco State University, and he died in California in 1994.

His final book was the second volume of the series – War and Revolution in Yugoslavia 1941–1945: Occupation and Collaboration – which was edited by his daughter Neda Tomasevich then published posthumously in 2001. It focused on collaboration and the quisling governments in Yugoslavia during the war with a strong emphasis on the Independent State of Croatia, an Axis puppet state. The book was highly praised by historians. The third volume on the Yugoslav Partisans remains unpublished despite being 75 per cent complete at his death. The scholarly standard Tomasevich achieved with the first two volumes in the series made his death before completing the series "a tragedy keenly felt even by those who never knew him", according to Klaus Schmider, a Royal Military Academy Sandhurst lecturer and German historian. In his obituary by Alexander Vucinich in the Slavic Review, Tomasevich was described as "a master of scholarly skills, a person of bountiful erudition, wit and human dignity".

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Dame Angela Brigid Lansbury (October 16, 1925 – October 11, 2022) was a British-American-Irish actress, producer, and comedian. In a career spanning 80 years, she played various roles across film, stage, and television. Although based for much of her life in the United States, her work attracted international attention. She became a Dame in April of 2014.

Lansbury was born into an upper-middle-class family in central London, the daughter of Irish actress Moyna Macgill and English politician Edgar Lansbury. To escape the Blitz, she moved to the United States in 1940, studying acting in New York City. Proceeding to Hollywood in 1942, she signed with Metro-Goldwyn-Mayer (MGM) and obtained her first film roles, in Gaslight (1944), National Velvet (1944), and The Picture of Dorian Gray (1945). She appeared in 11 further MGM films, mostly in minor roles, and after her contract ended in 1952, she began to supplement her cinematic work with theatrical appearances. Lansbury was largely seen as a B-list star during this period, but her role in The Manchurian Candidate (1962) received widespread acclaim and is frequently ranked as one of her best performances. Moving into musical theatre, Lansbury gained stardom for playing the leading role in the Broadway musical Mame (1966), winning her first Tony Award and becoming a gay icon.

Amid difficulties in her personal life, Lansbury moved from California to Ireland's County Cork in 1970. She continued to make theatrical and cinematic appearances throughout that decade, including leading roles in the stage musicals Dear World, Gypsy, and Sweeney Todd, as well as in the Disney film Bedknobs and Broomsticks (1971). Moving into television in 1984, she achieved worldwide fame as the sleuth Jessica Fletcher in the American whodunit series Murder, She Wrote, which ran for twelve seasons until 1996, becoming one of the longest-running and most popular detective drama series in television history. Through Corymore Productions, a company that she co-owned with her husband Peter Shaw, Lansbury assumed ownership of the series and was its executive producer during its final four seasons. She also moved into voice work, contributing to animated films like Beauty and the Beast (1991) and Anastasia (1997). In the 21st century, she toured in several theatrical productions and appeared in family films such as Nanny McPhee (2005) and Mary Poppins Returns (2018).

Among Lansbury's numerous accolades were six Tony Awards (including a Lifetime Achievement Award), six Golden Globe Awards, two honorary BAFTA Awards, a Laurence Olivier Award, an honorary SAG Award, and the Academy Honorary Award; in addition to nominations for three Academy Awards, eighteen Primetime Emmy Awards, and a Grammy Award.