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In This Moment is an American rock band from Los Angeles, California, formed by singer Maria Brink and guitarist Chris Howorth in 2005. They found drummer Jeff Fabb and started the band as Dying Star. Unhappy with their musical direction, they changed their name to In This Moment and gained two band members, guitarist Blake Bunzel and bassist Josh Newell. In 2005, bassist Newell left the band and was replaced by Jesse Landry.

Their debut album, Beautiful Tragedy, was released in 2007. Their follow up, titled The Dream was released the following year debuting at number 73 on the Billboard 200. The band's third album, A Star-Crossed Wasteland was released in 2010, and their fourth album titled Blood was released in August 2012 and debuted at number 15. Their fifth album titled Black Widow was released in November 2014 and debuted at number 8, their highest position in the charts to date. Ritual, their sixth, was released in the summer of 2017 and debuted at number 23. Their seventh studio album, Mother was released on March 27, 2020. Their eighth album titled Godmode was released on October 27, 2023. They have received two nominations of Alternative Press Music Awards, including two for Best Hard Rock Artist and one for Best Live Band. They have also received a Grammy nomination for Best Metal Performance. To date, the band has 5 singles and an album certified Platinum and Gold by the Recording Industry Association of America (RIAA).

The band's line-up has changed several times. Landry was replaced by Kyle Konkiel in 2009 and Konkiel was replaced by Travis Johnson in 2010. Jeff Fabb and Blake Bunzel left the band in 2011, and were replaced by Tom Hane and Randy Weitzel respectively. In March 2016, drummer Tom Hane announced his departure from the band and was replaced by Kent Diimmel, formerly of 3 By Design.

Throughout their career, the band has performed on several notable tours and festivals including Ozzfest in 2007 and 2008; Warped Tour in 2009; Download Festival in 2009, 2013, and 2018; Mayhem Festival in 2010; Music as a Weapon V tour in 2011; Uproar Festival in 2012; Rock on the Range in 2012, 2013, and 2015; Carnival of Madness tour in 2013; Knotfest in 2014; Rockfest and Rocklahoma in 2015; Carolina Rebellion in 2018; Louder Than Life in 2017 and 2019; Aftershock in 2014, 2017, and 2021; Welcome to Rockville in 2013, 2015, 2017, and 2019; and Knotfest in 2022.

[Creeperopolis]

Chinese characters[a] are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture. Of the four independently invented writing systems accepted by scholars, they represent the only one that has remained in continuous use. Over a documented history spanning more than three millennia, the function, style, and means of writing characters have changed greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes, the units of meaning in a language. Writing all of the frequently used vocabulary in a language requires roughly 2000–3000 characters; as of 2024, nearly 100000 have been identified and included in The Unicode Standard. Characters are created according to several principles, where aspects of shape and pronunciation may be used to indicate the character's meaning.

The first attested characters are oracle bone inscriptions made during the 13th century BCE in what is now Anyang, Henan, as part of divinations conducted by the Shang dynasty royal house. Character forms were originally ideographic or pictographic in style, but evolved as writing spread across China. Numerous attempts have been made to reform the script, including the promotion of small seal script by the Qin dynasty (221–206 BCE). Clerical script, which had matured by the early Han dynasty (202 BCE – 220 CE), abstracted the forms of characters—obscuring their pictographic origins in favour of making them easier to write. Following the Han, regular script emerged as the result of cursive influence on clerical script, and has been the primary style used for characters since. Informed by a long tradition of lexicography, states using Chinese characters have standardized their forms—broadly, simplified characters are used to write Chinese in mainland China, Singapore, and Malaysia, while traditional characters are used in Taiwan, Hong Kong, and Macau.

Where the use of characters spread beyond China, they were initially used to write Literary Chinese; they were then often adapted to write local languages spoken throughout the Sinosphere. In Japanese, Korean, and Vietnamese, Chinese characters are known as kanji, hanja, and chữ Hán respectively. Writing traditions also emerged for some of the other languages of China, like the sawndip script used to write the Zhuang languages of Guangxi. Each of these written vernaculars used existing characters to write the language's native vocabulary, as well as the loanwords it borrowed from Chinese. In addition, each invented characters for local use. In written Korean and Vietnamese, Chinese characters have largely been replaced with alphabets—leaving Japanese as the only major non-Chinese language still written using them, alongside the other elements of the Japanese writing system.

At the most basic level, characters are composed of strokes that are written in a fixed order. Historically, methods of writing characters have included inscribing stone, bone, or bronze; brushing ink onto silk, bamboo, or paper; and printing with woodblocks or moveable type. Technologies invented since the 19th century to facilitate the use of characters include telegraph codes and typewriters, as well as input methods and text encodings on computers.

[Creeperopolis]

In the Rhine campaign of 1796 (June 1796 to February 1797), two First Coalition armies under the overall command of Archduke Charles outmaneuvered and defeated two French Republican armies. This was the last campaign of the War of the First Coalition, part of the French Revolutionary Wars.

The French military strategy against Austria called for a three-pronged invasion to surround Vienna, ideally capturing the city and forcing the Holy Roman Emperor to surrender and accept French Revolutionary territorial integrity. The French assembled the Army of Sambre and Meuse commanded by Jean-Baptiste Jourdan against the Austrian Army of the Lower Rhine in the north. The Army of the Rhine and Moselle, led by Jean Victor Marie Moreau, opposed the Austrian Army of the Upper Rhine in the south. A third army, the Army of Italy, commanded by Napoleon Bonaparte, approached Vienna through northern Italy.

The early success of the Army of Italy initially forced the Coalition commander, Archduke Charles, to transfer 25,000 men commanded by Dagobert Sigmund von Wurmser to northern Italy. This weakened the Coalition force along the 340-kilometre (211 mi) front stretching along the Rhine from Basel to the North Sea. Later, a feint by Jourdan's Army of Sambre and Meuse convinced Charles to shift troops to the north, allowing Moreau to cross the Rhine at the Battle of Kehl on 24 June and defeated the Archduke's Imperial contingents. Both French armies penetrated deep into eastern and southern Germany by late July, forcing the southern states of the Holy Roman Empire into punitive armistices. By August, the French armies had extended their fronts too thinly and rivalry among the French generals complicated cooperation between the two armies. Because the two French armies operated independently, Charles was able to leave Maximilian Anton Karl, Count Baillet de Latour with a weaker army in front of Moreau on the southernmost flank and move many reinforcements to the army of Wilhelm von Wartensleben in the north.

At the Battle of Amberg on 24 August and the Battle of Würzburg on 3 September, Charles defeated Jourdan's northern army and compelled the French army to retreat, eventually to the west bank of the Rhine. With Jourdan neutralized and retreating into France, Charles left Franz von Werneck to watch the Army of Sambre and Meuse, making sure it did not try to recover a foothold on the east bank of the Rhine. After securing the Rhine crossings at Bruchsal and Kehl, Charles forced Moreau to retreat south. During the winter the Austrians reduced the French bridgeheads in the sieges of Kehl and the Hüningen, and forced Moreau's army back to France. Despite Charles' success in the Rhineland, Austria lost the war in Italy, which resulted in the Peace of Campo Formio.

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Paul Weingarten (20 April 1886 in City of Brünn, Moravia, Austria – 11 April 1948 in Vienna, Austria) was a Moravia-born pianist and music teacher.

He studied Music History at the University of Vienna, where he obtained a Ph.D. in 1910.

He studied music at the Vienna Conservatory. Among his teachers were Emil von Sauer (piano), Robert Fuchs (theory), Guido Adler.

After traveling through Europe as a concert pianist, he became a piano teacher at the Vienna Music Academy. On his return to Austria, in March 1938, from a concert tour in Japan, German troops were advancing in Austria. He taught at the Tōkyō Ongaku Gakkō , Shitaya Dist., Tokyo Metropolis. He left Austria to return in 1945 to give a piano masterclass at the Vienna Academy of Music.

Jazz keyboardist Joe (Josef) Zawinul reports he was taught by Weingarten at the Vienna Conservatory in 1939 before Weingarten "had to leave."

He was married with Anna Maria Josefa Elisabeth von Batthyány-Strattmann (23 March 1909, Kittsee – 21 September 1992, Vienna), a daughter of László Batthyány-Strattmann.