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The Widows of Culloden (Scottish Gaelic: Bantraich de cuil lodair) is the twenty-eighth collection of the British designer Alexander McQueen, made for the Autumn/Winter 2006 season of his eponymous fashion house. Widows was inspired by his Scottish ancestry and is regarded as one of his most autobiographical collections. It is named for the widows of the Battle of Culloden (1746), often seen as major conflict between Scotland and England. Widows makes extensive use of the McQueen family tartan and traditional gamekeeper's tweeds, as well as other elements taken from Highland dress. Historical elements reflected the fashion of the late Victorian era and the 1950s.

The collection's runway show was staged on 3 March 2006 during Paris Fashion Week. It was dedicated to Isabella Blow, McQueen's friend and muse. The show marked a return to theatricality for McQueen, whose shows in the preceding two seasons had been comparatively conventional. Widows was presented on a square stage with a glass pyramid at its centre. Fifty-one ensembles were presented across roughly three phases, ending with a Pepper's ghost illusion of English model Kate Moss projected within the glass pyramid.

Critical response was positive, especially towards McQueen's tailoring and the collection's balance of artistry and commercial practicality. The show is since regarded as one of McQueen's best, with the illusion of Kate Moss regarded as its highlight. Ensembles from Widows are held by various museums and have appeared in exhibitions such as the McQueen retrospective Alexander McQueen: Savage Beauty. The Widows of Culloden collection and show, especially the Kate Moss illusion, have been extensively analysed, especially as an exploration of gothic literature in fashion. Widows is frequently discussed with McQueen's first Scottish-themed collection, Highland Rape (Autumn/Winter 1995), whose runway show was highly debated in the fashion world.
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Lego Star Wars II: The Original Trilogy is a Lego-themed action-adventure video game developed by Traveller's Tales and published by LucasArts and TT Games Publishing. It was released on 11 September 2006. Part of the Lego Star Wars series, it is based on the Star Wars science fiction media franchise and Lego Group's Lego Star Wars eponymous Star Wars-themed toy line. It follows the events of the Star Wars films, A New Hope, The Empire Strikes Back and Return of the Jedi. The game allows players to assume the roles of over 50 Lego versions of characters from the film series; customized characters can also be created. Camera movement was improved from its predecessor Lego Star Wars: The Video Game and the concept of "vehicle levels" was explored more thoroughly. The game was revealed at American International Toy Fair. Promotions for the game were set up at chain stores across the United States.

Lego Star Wars II was critically and commercially successful; it has sold over 8.2 million copies worldwide as of May 2009. Critics praised the game for its comedic and "adorable" portrayal of the film series and due to preference for the original trilogy over the prequel trilogy. However, the game's low difficulty, and its Game Boy Advance and Nintendo DS versions in general, were received more poorly. The game received awards from the British Academy of Film and Television Arts and Spike TV, among others. A mobile phone adaptation, Lego Star Wars II Mobile, was later developed by Universomo, published by THQ, and released on 5 January 2007. Lego Star Wars II and its predecessor were compiled in Lego Star Wars: The Complete Saga, released a year later.
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The Badge Man is an unknown figure that is purportedly present within the Mary Moorman photograph of the assassination of United States President John F. Kennedy in Dealey Plaza on November 22, 1963. Conspiracy theorists have suggested that this figure is a sniper firing a weapon at the President from the grassy knoll. Although a reputed muzzle flash obscures much of the detail, the Badge Man has been described as a person wearing a police uniform—the moniker itself derives from a bright spot on the chest, which is said to resemble a gleaming badge.

The Moorman photograph was taken a fraction of a second after the fatal bullet struck Kennedy's head. It was analyzed by the House Select Committee on Assassinations, but no evidence of hidden figures was found. However, in 1983, Gary Mack—the curator of the Sixth Floor Museum—obtained a higher quality copy of the photograph. Upon enhancement, Mack noted what he believed to be the Badge Man in the shadowed background. This alleged second gunman has appeared in several conspiracy theories concerning the assassination of President Kennedy.

Among photographic experts, the consensus is that the image lacks the resolution to determine whether or not the Badge Man is a human figure. The reputed Badge Man is not present in any other photographs of the assassination and was not seen by any witnesses. Skeptic Vincent Bugliosi has criticized the Badge Man interpretation, and analyst Dale K. Myers has argued that it is not an actual person due to proportional discrepancies. It has been suggested that the figure is actually an optical distortion from a Coca-Cola bottle, or simply different background elements.
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Edward I[a] (17/18 June 1239 – 7 July 1307), also known as Edward Longshanks and the Hammer of the Scots, was King of England from 1272 to 1307. Concurrently, he was Lord of Ireland, and from 1254 to 1306, he ruled Gascony as Duke of Aquitaine in his capacity as a vassal of the French king. Before his accession to the throne, he was commonly referred to as the Lord Edward. The eldest son of Henry III, Edward was involved from an early age in the political intrigues of his father's reign. In 1259, he briefly sided with a baronial reform movement, supporting the Provisions of Oxford. After reconciliation with his father, he remained loyal throughout the subsequent armed conflict, known as the Second Barons' War. After the Battle of Lewes, Edward was held hostage by the rebellious barons, but escaped after a few months and defeated the baronial leader Simon de Montfort at the Battle of Evesham in 1265. Within two years the rebellion was extinguished and, with England pacified, Edward left to join the Ninth Crusade to the Holy Land in 1270. He was on his way home in 1272 when he was informed of his father's death. Making a slow return, he reached England in 1274 and was crowned at Westminster Abbey.

Edward spent much of his reign reforming royal administration and common law. Through an extensive legal inquiry, he investigated the tenure of several feudal liberties. The law was reformed through a series of statutes regulating criminal and property law, but the King's attention was increasingly drawn toward military affairs. After suppressing a minor conflict in Wales in 1276–77, Edward responded to a second one in 1282–83 with its conquest. He then established English rule, built castles and towns in the countryside and settled them with English people. After the death of the heir to the Scottish throne, Edward was invited to arbitrate a succession dispute. He claimed feudal suzerainty over Scotland and invaded the country, and the ensuing First Scottish War of Independence continued after his death. Simultaneously, Edward found himself at war with France (a Scottish ally) after King Philip IV confiscated the Duchy of Gascony. The duchy was eventually recovered but the conflict relieved English military pressure against Scotland. By the mid-1290s, extensive military campaigns required high levels of taxation and this met with both lay and ecclesiastical opposition. When the King died in 1307, he left to his son Edward II a war with Scotland and other financial and political burdens.

His temperamental nature and height made Edward an intimidating figure and he often instilled fear in his contemporaries, although he held the respect of his subjects for the way he embodied the medieval ideal of kingship as a soldier, an administrator and a man of faith. Modern historians are divided in their assessment of Edward; some have praised him for his contribution to the law and administration, but others have criticised his uncompromising attitude towards his nobility. Edward is credited with many accomplishments, including restoring royal authority after the reign of Henry III and establishing Parliament as a permanent institution, which allowed for a functional system for raising taxes and reforming the law through statutes. At the same time, he is also often condemned for his wars against Scotland and for expelling the Jews from England in 1290.
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The New Amsterdam Theatre is a Broadway theater on 214 West 42nd Street, at the southern end of Times Square, in the Theater District of Manhattan in New York City. One of the first Broadway venues to open in the Times Square neighborhood, the New Amsterdam was built from 1902 to 1903 to designs by Herts & Tallant. The theater is operated by Disney Theatrical Productions and has 1,702 seats across three levels. Both the Beaux-Arts exterior and the Art Nouveau interior of the building are New York City landmarks, and the building is on the National Register of Historic Places.

The theater's main entrance is through a 10-story wing facing north on 42nd Street, while the auditorium is in the rear, facing south on 41st Street. The facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby within the office wing leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevered above a ground-level orchestra. Above the main auditorium is a now-disused roof theater, which opened in 1904 and also served as a studio. The theater has a steel frame and was designed with advanced mechanical systems for its time.

The New Amsterdam Theatre was named for the Dutch settlement of New Amsterdam, the precursor to New York City. Klaw and Erlanger operated the venue for more than two decades after its opening on October 26, 1903. From 1913 to 1927, the New Amsterdam was the home of the Ziegfeld Follies, whose producer, Florenz Ziegfeld Jr., maintained an office in the building and operated the theater on the roof. Erlanger bought Klaw's interest in 1927, and the New Amsterdam was converted into a movie theater in 1937, in which capacity it served until 1983. The Nederlander Organization tried to redevelop the theater for ten years as part of the 42nd Street Development Project. It was then leased by The Walt Disney Company and renovated by Hardy Holzman Pfeiffer from 1995 to 1997. After Disney took over the New Amsterdam's operation, the theater hosted the musical The Lion King, followed by Mary Poppins and Aladdin.
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Julian of Norwich (1343[note 1] – after 1416), also known as Juliana of Norwich, the Lady Julian, Dame Julian or Mother Julian, was an English mystic and anchoress of the Middle Ages. Her writings, now known as Revelations of Divine Love, are the earliest surviving English language works by a woman, although it is possible that some anonymous works may have had female authors. They are also the only surviving English language works by an anchoress.

Julian lived in the English city of Norwich, an important centre for commerce that also had a vibrant religious life. During her lifetime, the city suffered the devastating effects of the Black Death of 1348–1350, the Peasants' Revolt (which affected large parts of England in 1381), and the suppression of the Lollards. In 1373, aged 30 and so seriously ill she thought she was on her deathbed, Julian received a series of visions or shewings of the Passion of Christ. She recovered from her illness and wrote two versions of her experiences, the earlier one being completed soon after her recovery—a much longer version, today known as the Long Text, was written many years later.

Julian lived in permanent seclusion as an anchoress in her cell, which was attached to St Julian's Church, Norwich. Four wills are known in which sums were bequeathed to a Norwich anchoress named Julian, and an account by the celebrated mystic Margery Kempe exists which provides evidence of counsel Kempe was given by the anchoress.

Details of Julian's family, education, or of her life before becoming an anchoress are not known; it is unclear whether her actual name was Julian. Preferring to write anonymously, and seeking isolation from the world, she was nevertheless influential in her lifetime. While her writings were carefully preserved, the Reformation prevented their publication in print. The Long Text was first published in 1670 by the Benedictine monk Serenus de Cressy, reissued by George Hargreaves Parker in 1843, and published in a modernised version in 1864. Julian's writings emerged from obscurity in 1901 when a manuscript in the British Museum was transcribed and published with notes by Grace Warrack; many translations have been made since. Julian is today considered to be an important Christian mystic and theologian.
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The first government of ancient Macedonia was established by the Argead dynasty of Macedonian kings during the Archaic period (8th–5th centuries BC). The early history of the ancient kingdom of Macedonia is obscure because of shortcomings in the historical record; little is known of governmental institutions before the reign of Philip II during the late Classical period (480–336 BC). These bureaucratic organizations evolved in complexity under his successor Alexander the Great and the subsequent Antipatrid and Antigonid dynasties of Hellenistic Greece (336–146 BC). Following the Roman victory in the Third Macedonian War over Perseus of Macedon in 168 BC, the Macedonian monarchy was abolished and replaced by four client state republics. After a momentary revival of the monarchy in 150–148 BC, the Fourth Macedonian War resulted in another Roman victory and the establishment of the Roman province of Macedonia.

It is unclear if there was a formally established constitution dictating the laws, organization, and divisions of power in ancient Macedonia's government, although some tangential evidence suggests this. The king (basileus) served as the head of state and was assisted by his noble companions and royal pages. Kings served as the chief judges of the kingdom, although little is known about Macedonia's judiciary. The kings were also expected to serve as high priests of the nation, using their wealth to sponsor various religious cults. The Macedonian kings had command over certain natural resources such as gold from mining and timber from logging. The right to mint gold, silver, and bronze coins was shared by the central and local governments.

The Macedonian kings served as the commanders-in-chief of Macedonia's armed forces, while it was common for them to personally lead troops into battle. Surviving textual evidence suggests that the ancient Macedonian army exercised its authority in matters such as the royal succession when there was no clear heir apparent to rule the kingdom. The army upheld some of the functions of a popular assembly, a democratic institution that otherwise existed in only a handful of municipal governments within the Macedonian commonwealth: the Koinon of Macedonians. With their mining and tax revenues, the kings were responsible for funding the military, which included a navy that was established by Philip II and expanded during the Antigonid period.
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Alexis Benoît[n 1] Soyer (4 February 1810 – 5 August 1858) was a French chef, writer and inventor, who made his reputation in Victorian England.

Born in north-east France, Soyer trained as a chef in Paris, and quickly built a career that was brought to a halt by the July Revolution of 1830. Moving to England he worked in the kitchens of royalty, the aristocracy and the landed gentry until 1837. He was then appointed head chef of the Reform Club in London, where he designed the kitchens on radical modern lines and became celebrated for the range and excellence of his cooking. His best-known dish, lamb cutlets Reform, has remained on the club's menu since the 1840s and has been taken up by later chefs from Auguste Escoffier to Prue Leith.

Soyer became a well-known author of cookery books, aimed variously at the grand kitchens of the aristocracy, at middle-class households, and at the poorest families, whose diet he strove to improve. He took a keen interest in public health, and when the Irish potato famine struck in the 1840s he went to Dublin and set up a soup kitchen that could feed 1,000 people an hour; he published recipes for inexpensive and nutritious food and developed cheaper alternatives to bread. He left the Reform in 1850 and tried to establish himself independently, but his venture failed and lost him a great deal of money.

During the Crimean War, reports reached London of the appalling privations endured by British soldiers, with disease rife and food inadequate. At the request of the British government Soyer travelled to the Crimea in 1855 and worked with the nursing pioneer Florence Nightingale to improve conditions for the troops. He ensured that in all parts of the army there were nominated cooks, useful recipes, and the means to cook food properly − in particular, the portable Soyer stove which he invented and which remained in army use, with modifications, for more than a century. In the Crimea, Soyer became seriously ill; he never fully recovered his health. A little over a year after his return to London in 1857 he died of a stroke.
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