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Kurt Vonnegut (/ˈvɒnəɡət/ VON-ə-gət; November 11, 1922 – April 11, 2007) was an American writer and humorist known for his satirical and darkly humorous novels.[1] In a career spanning over 50 years, he published 14 novels, three short-story collections, five plays, and five nonfiction works; further collections have been published after his death.

Born and raised in Indianapolis, Vonnegut attended Cornell University but withdrew in January 1943 and enlisted in the U.S. Army. As part of his training, he studied mechanical engineering at the Carnegie Institute of Technology (now Carnegie Mellon University) and the University of Tennessee. He was then deployed to Europe to fight in World War II and was captured by the Germans during the Battle of the Bulge. He was interned in Dresden, where he survived the Allied bombing of the city in a meat locker of the slaughterhouse where he was imprisoned. After the war, he married Jane Marie Cox, with whom he had three children. Vonnegut adopted three of his sister's sons after she died of cancer and her husband was killed in a train accident. He and his wife both attended the University of Chicago, while he worked as a night reporter for the City News Bureau.

Vonnegut published his first novel, Player Piano, in 1952. It received positive reviews but was not commercially successful at the time. In the nearly 20 years that followed, he published several novels that were well regarded, two of which—The Sirens of Titan (1959) and Cat's Cradle (1963)—were nominated for the Hugo Award for best science fiction or fantasy novel of the year. He published a short-story collection, Welcome to the Monkey House, in 1968.

His breakthrough was his commercially and critically successful sixth novel, Slaughterhouse-Five (1969). Its anti-war sentiment resonated with its readers amidst the ongoing Vietnam War, and its reviews were generally positive. It rose to the top of The New York Times Best Seller list and made Vonnegut famous. He gave speeches, lectures, and commencement addresses; he received awards and honors.

Later in his career, Vonnegut published autobiographical essays and short-story collections, such as Fates Worse Than Death (1991) and A Man Without a Country (2005). Since his death, he has been hailed as one of the most important contemporary writers and a dark humor commentator on American society. His son Mark published a compilation of his unpublished works, Armageddon in Retrospect, in 2008. In 2017, Seven Stories Press published Complete Stories, a collection of Vonnegut's short fiction, including five previously unpublished stories, collected and introduced by Vonnegut friends and scholars Jerome Klinkowitz and Dan Wakefield. Scholarly works have examined Vonnegut's writing and humor.

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Robert Mann (April 8, 1924 – October 21, 2006) was an American professional football player in the National Football League (NFL). A native of New Bern, North Carolina, Mann played college football for the Hampton Pirates in 1942 and 1943 and the Michigan Wolverines in 1944, 1946 and 1947. Playing the end position, he broke the Big Ten Conference record for receiving yards in 1946 and 1947. After not being selected in the 1948 NFL Draft, Mann signed his first professional football contract with the Detroit Lions, where he stayed for two seasons. He later played for the Green Bay Packers for parts of five seasons until 1954. Mann broke the color barrier for both teams.

Mann led the NFL in receiving yards (1,014) in 1949. He was asked to take a pay cut after the 1949 season and became a holdout when the Lions opened practice in July 1950. He was traded to the New York Yanks in August 1950 and released three weeks later. Mann charged that he had been forced out of professional football for refusing to take a pay cut. He signed with the Green Bay Packers near the end of the 1950 NFL season and was the team's leading receiver in 1951. He remained with the Packers through part of the 1954 season. After his football career, Mann became a lawyer and practiced in Detroit. He was inducted into the Green Bay Packers Hall of Fame in 1988 and died on October 21, 2006, at the age of 82. He was posthumously inducted into the Michigan Sports Hall of Fame in 2016.

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Fallout: A Post Nuclear Role Playing Game is a 1997 role-playing video game developed and published by Interplay Productions. In a mid-22nd century post-apocalyptic and retro-futuristic world, decades after a global nuclear war between the United States and China, Fallout's protagonist, the Vault Dweller, inhabits the underground nuclear shelter Vault 13. After customizing their character, the player must scour the surrounding wasteland for a computer chip that can fix the Vault's failed water supply system. They interact with other survivors, some of whom give them missions, and engage in turn-based combat where they battle until their action points are depleted.

Tim Cain began working on Fallout in 1994. It began as a game engine based on Steve Jackson Games's tabletop role-playing game GURPS. Interplay dropped the license after Steve Jackson Games objected to Fallout's violence, and Cain and designer Christopher Taylor created a new character customization scheme, SPECIAL. Although Interplay initially gave the game little attention, the development ultimately cost $3 million and employed up to thirty people. Interplay considered Fallout the spiritual successor to its 1988 role-playing game Wasteland and drew artistic inspiration from 1950s literature and media emblematic of the Atomic Age as well as the films Mad Max and A Boy and His Dog. The quests were intentionally made morally ambiguous. After three and a half years of development, Fallout was released in North America in October 1997.

Fallout received acclaim for its open-ended gameplay, character system, plot, and perceived original setting. It won "Role-Playing Game of the Year" from GameSpot and Computer Games Magazine, was nominated by the Academy of Interactive Arts & Sciences at the Spotlight Awards, and is often listed among the greatest video games of all time. Fallout has been credited for renewing consumer interest in the role-playing video genre due to its setting, open-ended plot, and gameplay. Fallout was a commercial success, selling 600,000 copies worldwide. It spawned the Fallout series, the rights to which were purchased in 2007 by Bethesda Softworks.

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The 1999 Sydney hailstorm was the costliest natural disaster in Australian insurance history, causing extensive damage along the east coast of New South Wales. The storm developed south of Sydney on the afternoon of Wednesday, 14 April 1999, and struck the city's eastern suburbs, including the central business district, later that evening.[1]

The storm dropped an estimated 500,000 tonnes of hailstones in its path.[2][3] The insured damage bill caused by the storm was over A$1.7 billion (equivalent to $3.8 billion in 2022),[4] with the total bill (including uninsured damage) estimated to be around $2.3 billion.[5][6] It was the costliest single natural disaster in Australian history in insured damage, surpassing the $1.1 billion in insured damage caused by the 1989 Newcastle earthquake. Lightning also claimed one life during the storm, and the event caused approximately 50 injuries.[7][8]

The storm was classified as a supercell following further analysis of its erratic nature and extreme attributes. During the event, the Bureau of Meteorology was constantly surprised by the frequent changes in direction, as well as the severity of the hail and the duration of the storm. The event was also surprising as neither the time of year, time of day, nor the general meteorological conditions in the region were seen as conducive for extreme storm cell formation.[4][9]

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The American poet Walt Whitman gave a lecture on Abraham Lincoln, the 16th president of the United States, several times between 1879 and 1890. The lecture centered on the assassination of Lincoln, but also covered years leading up to and during the American Civil War and often included readings of poems such as "O Captain! My Captain!". The deliveries were generally well received, and cemented Whitman's public image as an authority on Lincoln.

Whitman greatly admired Lincoln and was moved by his assassination in 1865 to write several poems in the President's memory. The idea of a lecture on the topic was first proposed by his friend John Burroughs in an 1878 letter. Whitman, who had long aspired to be a lecturer, first spoke on the death of Lincoln in New York City's Steck Hall on April 14 the following year. Over the next eleven years, he delivered the lecture at least ten, and possibly as many as twenty, more times.

Many deliveries of the lecture were part of a broader speaker series or fundraising events. A delivery of the lecture in 1887 at Madison Square Theatre is considered the most successful lecture. Whitman's biographer Justin Kaplan writes that this delivery and the reception that followed was the closest Whitman came to "social eminence on a large scale",[1] as it was attended by many prominent members of American society. Whitman later described that lecture and reception as "the culminating hour" of his life,[1] but at another time criticized it as "too much the New York Jamboree".[2] He gave the lecture for the last time in Philadelphia in 1890, two years before his death.

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One of the Boys is an American sitcom created by Blake Hunter and Martin Cohan that aired six episodes on NBC from April 15 to May 20, 1989. It was one of the only American primetime programs to star a Latin American woman—María Conchita Alonso—that decade. She features as Maria Conchita Navarro, a Venezuelan immigrant to the United States who begins working in the office of a small construction company and marries its widowed owner, Mike Lukowski (Robert Clohessy). Five production companies oversaw filming at Sunset Gower Studios in Hollywood, where delays prevented critics from watching a preview in advance of the premiere. Reviews referred to the concept, script, and Alonso's acting. The mid-season replacement received inconsistent Nielsen ratings and was not renewed for a second season by NBC.

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William Thomas Stearn CBE FLS VMH (/stɜːrn/; 16 April 1911 – 9 May 2001) was a British botanist. Born in Cambridge in 1911, he was largely self-educated and developed an early interest in books and natural history. His initial work experience was at a Cambridge bookshop, but he also had a position as an assistant in the university botany department. At the age of 29 he married Eldwyth Ruth Alford, who later became his collaborator, and he died in London in 2001.

While at the bookshop, he was offered a position as a librarian at the Royal Horticultural Society in London (1933–1952). From there he moved to the Natural History Museum as a scientific officer in the botany department (1952–1976). After his retirement, he continued working there, writing, and serving on a number of professional bodies related to his work, including the Linnean Society, of which he became president. He also taught botany at Cambridge University as a visiting professor (1977–1983).

Stearn is known for his work in botanical taxonomy and botanical history, particularly classical botanical literature, botanical illustration and for his studies of the Swedish scientist Carl Linnaeus. His best known books are his Dictionary of Plant Names for Gardeners, a popular guide to the scientific names of plants, and his Botanical Latin for scientists.

Stearn received many honours for his work, at home and abroad, and was made a Commander of the Order of the British Empire (CBE) in 1997. Considered one of the most eminent British botanists of his time, he is remembered by an essay prize in his name from the Society for the History of Natural History, and a named cultivar of Epimedium, one of many genera he produced monographs on. He is the botanical authority for over 400 plants that he named and described.

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Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977 in the United States and on 11 February 1977 in the United Kingdom[3] by Warner Bros. Records. Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut. The recording sessions took place in the aftermath of several relationship breakups among the band members in addition to heavy drug use, both of which shaped the album's direction and lyrics.

Recorded with the intention of making "a pop album" that would expand on the commercial success of the 1975 album Fleetwood Mac, the music of Rumours is characterized by a mix of electric and acoustic instrumentation, accented rhythms, guitars, and keyboards, while its lyrics concern personal and often troubled relationships. Its release was postponed by delays in the mixing process. Following the album’s release, Fleetwood Mac undertook worldwide concert tours in support of it. Rumours became the band's first number-one album on the UK Albums Chart and also topped the US Billboard 200. The songs "Go Your Own Way", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US Top 10, with "Dreams" reaching number one.

Rumours was a commercial success, selling 13 million copies worldwide by 1980.[4] It garnered widespread acclaim from critics, with praise centred on its production quality and vocal harmonies, which frequently relied on the interplay among the band's three vocalists, and which has subsequently inspired the work of musical acts in various genres. It won Album of the Year at the 1978 Grammy Awards and received Diamond certifications in several countries, including the UK, Canada, Australia, and the US, in where it is certified 21× Platinum by the Recording Industry Association of America (RIAA). As of February 2023, Rumours has sold over 40 million copies worldwide.

Often considered Fleetwood Mac's magnum opus, Rumours has frequently been cited as one of the greatest albums of all time. It was inducted into the Grammy Hall of Fame in 2003,[5] and in 2004, Rumours was remastered and reissued with the addition of "Silver Springs", which had been excluded from the original release, and a bonus CD of outtakes from the recording sessions. It was selected for preservation in the National Recording Registry in 2017, being deemed "culturally, historically, or aesthetically significant" by the Library of Congress.[6] In 2020, Rumours was ranked 7th in Rolling Stone's list of the "500 Greatest Albums of All Time".[7]

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Katana Zero is a 2019 platform game created by the indie developer Justin Stander. Set in a dystopian metropolis, the neo-noir storyline follows Subject Zero, a katana-wielding assassin with amnesia who can slow down time and predict the future. Zero unravels his past while completing assassination contracts. Katana Zero features side-scrolling hack-and-slash gameplay in which the player attempts to kill all enemies in a level without being hit, using Zero's abilities to manipulate time, dodge attacks, and take advantage of environmental hazards. In between levels, the story is told in sequences where the player converses with non-player characters through dialogue trees.

Stander began working on Katana Zero in 2013. He had previously developed freeware games, such as Tower of Heaven (2009), and conceived Katana Zero as his first commercial game. Using GameMaker Studio 2, Stander sought to make a difficult story-driven game that did not force the player to wait through dialogue and cutscenes. He focused on attention to detail and looked to films such as Sin City (2005) and John Wick (2014) for story inspiration. The development was prolonged and Stander worked mostly alone, although he recruited artists to design the visuals as well as musicians Bill Kiley and Thijs "LudoWic" Lodewijk to compose the synthwave soundtrack.

Katana Zero was published by Devolver Digital for macOS, Nintendo Switch, and Windows on April 18, 2019. It sold 500,000 copies in less than a year and received positive reviews. Critics praised the gameplay—which they favorably compared to Devolver's Hotline Miami (2012)—and the visuals, writing, and music. The story divided reviewers and the unresolved ending was criticized. Several critics cited Katana Zero as one of the best games of 2019 and it was nominated for numerous year-end accolades. Ports for Xbox One and Amazon Luna were released in 2020 and 2021, downloadable content is in development, and Stander intends to continue the fictional universe in future games.