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RE: Last to post wins - Creeperopolis - 01-09-2025
Title is the debut major-label studio album by the American singer-songwriter Meghan Trainor. It was released on January 9, 2015, by Epic Records. Initially a songwriter for other artists in 2013, Trainor signed with the label the following year and began recording material she co-wrote with Kevin Kadish. They were dissatisfied with the electronic dance music predominant in contemporary hit radio and drew influence from retro-styled 1950s and 1960s music.
Title is a doo-wop, pop, blue-eyed soul, and R&B record, with elements of Caribbean, hip hop, reggae, and soca music. Inspired by past relationships and her insecurities about body image, Trainor wrote songs she wished existed before she attended high school. The songs on the album explore themes such as female empowerment, self-respect, and self-awareness. Trainor promoted it with several public appearances and televised performances.
After Title's release, Trainor embarked on the 2015 concert tours That Bass Tour and MTrain Tour. The album was supported by four singles, including "All About That Bass" which reached number one in 58 countries and became the best-selling song by a female artist during the 2010s in the US. It also produced the Billboard Hot 100 top-15 singles "Lips Are Movin", "Dear Future Husband", and "Like I'm Gonna Lose You", the last of which features John Legend and peaked at number one in Australia, New Zealand, and Poland. Reviewers criticized Title's repetitiveness and did not foresee a long-lasting career for Trainor, though some appreciated her wit and audacious attitude.
Title debuted at number one on charts in the United States, Canada, and Great Britain, and spent multiple weeks at the summit in Australia and New Zealand. It was Epic's first number-one album in the US since 2010, and in Australia since Michael Jackson's The Essential Michael Jackson in 2005. Title made Trainor the fifth female artist in history to send her debut single and album to number one and follow-up single to the top five in the US. It was the ninth-best-selling album of 2015 worldwide, and earned multi-platinum certifications in the United States, Australia, Canada, and Poland.
RE: Last to post wins - Creeperopolis - 01-10-2025
The Ferrari FF is a grand touring car that was produced by the Italian carmaker Ferrari from 2011 to 2016. The successor to the 612 Scaglietti, the FF—whose name is an acronym for "Ferrari Four"[a]—is a three-door shooting brake. Development of the FF began in 2007, and it debuted at the Geneva International Motor Show in March 2011; production started in the same month in Maranello, Italy. Designed under the direction of Lowie Vermeersch and Flavio Manzoni, the FF shares parts, mainly the engine, with the F12berlinetta—a coupé that was introduced one year after the FF.
Upon its release, the FF became the world's fastest four-seater car and Ferrari's second-fastest grand tourer after the 599 GTO. The FF features a 6.3 L V12 engine that produces a power output of 485 kW (660 PS; 651 hp) and a torque output of 683 N⋅m (504 lb⋅ft), sufficient to give the car a maximum speed of 335 km/h (208 mph) and a 0 to 100 km/h (62 mph) acceleration of 3.7 seconds. Its transmission is a seven-speed dual-clutch. The FF has received positive reviews from critics, who appreciate its design but criticise its steep price. The recipient of numerous awards, including Top Gear's Estate Car of the Year in 2011, the FF was succeeded by the GTC4Lusso in 2016.
RE: Last to post wins - Creeperopolis - 01-11-2025
The tomb of Kha and Merit, also known by its tomb number Theban Tomb 8 or TT8, is the funerary chapel and burial place of the ancient Egyptian foreman Kha and his wife Merit, in the northern cemetery of the workmen's village of Deir el-Medina. Kha supervised the workforce who constructed royal tombs during the reigns of the pharaohs Amenhotep II, Thutmose IV and Amenhotep III (r. 1425 – 1353 BC) in the mid-Eighteenth Dynasty of the early New Kingdom of Egypt. Of unknown background, he probably rose to his position through skill and was rewarded by at least one king. He and his wife Merit had three known children. Kha died in his 60s, while Merit died before him, seemingly unexpectedly, in her 20s or 30s.
The couple's pyramid-shaped chapel has been known since at least 1818 when one of their funerary stele was purchased by the antiquarian Bernardino Drovetti. Scenes from the chapel were first copied in the 19th century by early Egyptologists including John Gardiner Wilkinson and Karl Lepsius. The paintings show Kha and Merit receiving offerings from their children and appearing before Osiris, god of the dead. The decoration has been damaged over the millennia, deteriorating due to structural decay and human actions.
Kha and Merit's tomb was cut into the base of the cliffs opposite their chapel. This position allowed the entrance to be quickly buried by debris deposited by landslides and later tomb construction, hiding its location from ancient robbers. The undisturbed tomb was discovered in February 1906 in excavations led by the Egyptologist Ernesto Schiaparelli on behalf of the Italian Archaeological Mission. The burial chamber contained over 400 items including carefully arranged stools and beds, neatly stacked storage chests of personal belongings, clothing and tools, tables piled with foods such as bread, meats and fruit, and the couple's two large wooden sarcophagi housing their coffined mummies. Merit's body was fitted with a funerary mask; Kha was provided with one of the earliest known copies of the Book of the Dead. Their mummies have never been unwrapped. X-rays, CT scanning and chemical analyses have revealed neither were embalmed in the typical fashion but that both bodies are well preserved. Both wear metal jewellery beneath their bandages, although only Kha has funerary amulets.
Almost all of the contents of the tomb were awarded to the excavators and were shipped to Italy soon after the discovery. They have been displayed in the Museo Egizio in Turin since their arrival, and an entire gallery is devoted to them. This has been redesigned several times.
RE: Last to post wins - Creeperopolis - 01-12-2025
Smash Hit is a 2014 rail shooter game developed and published by the Swedish indie game studio Mediocre. Through the game's 12 levels, the player takes a first-person perspective, shooting metal balls to destroy glass obstacles. Additionally, the player can shoot up to five balls at once by smashing a consecutive sequence of crystals and gather power-ups that are activated for a limited amount of time. The game also features a one-time in-game purchase that allows the player to start from any unlocked checkpoint.
The game's development began in 2012. Dennis Gustafsson programmed the game and created its physics engine and acoustics, while Henrik Johansson designed its levels. Douglas Holmquist was hired to compose the soundtrack and sound effects. The game was released for free on iOS and Android on 6 March 2014. A virtual reality adaptation of the game was released for platforms in 2015 and 2018. Smash Hit received positive reviews from critics, who praised its physics engine, graphics, music, and sound effects. CNET and Apple Inc. listed it as one of the best mobile games of 2014. After Mediocre closed in 2017, Gustafsson and Holmquist worked on the 2022 video game Teardown, which incorporated unused sounds from Smash Hit.
RE: Last to post wins - Creeperopolis - 01-13-2025
The Mount Edziza volcanic complex (MEVC) in British Columbia, Canada, has a history of volcanism that spans more than 7 million years. It has taken place during five cycles of magmatic activity, each producing less volcanic material than the previous one. Volcanism during these cycles has created several types of volcanoes, including cinder cones, stratovolcanoes, subglacial volcanoes, shield volcanoes and lava domes. The roughly 1,000-square-kilometre (400-square-mile) volcanic plateau forming the base of the MEVC originated from the successive eruptions of highly mobile lava flows. Volcanic rocks such as basalt, trachybasalt, benmoreite, tristanite, mugearite, trachyte and rhyolite were deposited by multiple eruptions of the MEVC; the latter six rock types are products of varying degrees of magmatic differentiation in underground magma reservoirs. At least 10 distinct flows of obsidian were produced by volcanism of the MEVC, some of which were exploited by indigenous peoples in prehistoric times to make tools and weaponry. Renewed volcanism could produce explosive eruptions and block local streams with lava flows.
The first magmatic cycle took place between 7.5 and 6 million years ago and is represented by the Raspberry, Little Iskut and Armadillo geological formations, each of which is the product of a different eruptive period. Three distinct periods of eruptive activity also characterized the second magmatic cycle between 6 and 1 million years ago; they are represented by the Nido, Spectrum and Pyramid geological formations. The third magmatic cycle about 1 million years ago is represented by the Ice Peak, Pillow Ridge and Edziza geological formations, each of which is also the product of a distinct eruptive period. Three distinct periods of eruptive activity also characterized the fourth magmatic cycle between 0.8 and 0.2 million years ago which are represented by the Arctic Lake, Klastline and Kakiddi geological formations. The fifth magmatic cycle began at least 20,000 years ago and may be ongoing; the single distinct eruptive period of this magmatic cycle is represented by the Big Raven Formation.
RE: Last to post wins - Creeperopolis - 01-14-2025
Josette Patricia Simon OBE (born 1959 / 1960)[1] is a British actor. She trained at the Central School of Speech and Drama in London and played the part of Dayna Mellanby in the third and fourth series of the television sci-fi series Blake's 7 from 1980 to 1981. First performing as a 14-year-old, in the choir for the world premiere of the finalized Joseph and the Amazing Technicolor Dreamcoat, she has continued a career in stage productions, appearing in 50 Royal Shakespeare Company (RSC) productions, from the single press night performance as a featured character in Salvation Now at the Warehouse theatre in 1982, through to playing Cleopatra in a six-month run of Antony and Cleopatra at the Royal Shakespeare Theatre in 2017. The first black woman in an RSC play when she appeared in Salvation Now, Simon has been at the forefront of colour-blind casting, playing roles traditionally taken by white actors, including Maggie, a character who is thought to be based on Marilyn Monroe, in Arthur Miller's After the Fall at the Royal National Theatre in 1990.
Simon's first leading role at the RSC, the first principal part filled by a black woman for the company, was as Rosaline, in Love's Labour's Lost, directed by Barry Kyle, in 1984. In 1987, she appeared for the RSC again, in the lead role of Isabelle in Measure for Measure. Later leading roles for the RSC saw her as Titania/Hippolyta in A Midsummer Night's Dream (1999–2000) and Cleopatra in Antony and Cleopatra (2017–2018). She has played numerous other roles across stage, television, film, and radio. She starred alongside Brenda Fricker in the two-part television series Seekers (1993), written by Lynda La Plante. Simon has portrayed senior police officers in Silent Witness (1998), Minder (2009), and Broadchurch (2017); and portrayed a defence lawyer in Anatomy of a Scandal (2022).
Simon won the Evening Standard's Best Actress award, a Critics' Circle Theatre Award, and Plays and Players Critic Awards for After the Fall and two film festival awards for her part in Milk and Honey (1988). She was made an Officer of the Order of the British Empire in 2000, for services to drama.
RE: Last to post wins - Creeperopolis - 01-15-2025
The cherry-throated tanager (Nemosia rourei) is a critically endangered bird native to the Atlantic Forest in Brazil. Since its description in 1870, based on a shot specimen, there had been no confirmed sightings for more than 100 years, and by the end of the 20th century, it was feared that the species was already extinct. The cherry-throated tanager was rediscovered in 1998 on a private fazenda in the state of Espírito Santo, and soon after on two other sites in the same state, though it disappeared from the fazenda after 2006. By the end of 2023, 20 individuals were known and the total population was estimated to be less than 50 birds. The main threat to its survival is the large-scale destruction of the old-growth rainforest that it requires, and in 2018 it was estimated that the species was restricted to a total area of just 31 km2 (12 sq mi).
The cherry-throated tanager belongs to the tanager family Thraupidae. It is thought to be most closely related to the only other member of its genus, the hooded tanager, though this has yet to be confirmed by genetic analysis. It has a striking gray, black and white plumage, with a distinctive red throat patch that tapers towards the breast. The yellow or dark amber eyes contrast with a black face mask. Its call is clear and far-carrying. A social species, it lives in flocks that comprise up to eight birds and have large home ranges, in one case about 420 hectares (1,000 acres). Its diet consists of invertebrates such as ants and caterpillars, preferably picked from the horizontal, lichen-covered branches of large trees; the birds have also been observed feeding on fruit. The birds breed once a year, building a cup nest of beard lichen and spider web. Known nests have contained two or three eggs, and other members of the flock may help the breeding pair to feed the chicks.
RE: Last to post wins - Creeperopolis - 01-16-2025
Night of January 16th (sometimes advertised as The Night of January 16th) is a theatrical play by Russian-American author Ayn Rand, inspired by the death of the "Match King", Ivar Kreuger. Set in a courtroom during a murder trial, an unusual feature of the play is that members of the audience are chosen to play the jury. The court hears the case of Karen Andre, a former secretary and lover of businessman Bjorn Faulkner, of whose murder she is accused. The play does not directly portray the events leading to Faulkner's death; instead the jury must rely on character testimony to decide whether Andre is guilty. The play's ending depends on the verdict. Rand's intention was to dramatize a conflict between individualism and conformity, with the jury's verdict revealing which viewpoint they preferred.
The play was first produced in 1934 in Los Angeles under the title Woman on Trial; it received positive reviews and enjoyed moderate commercial success. Producer Al Woods took it to Broadway during the 1935–36 season and re-titled it Night of January 16th. It drew attention for its innovative audience-member jury and became a hit, running for seven months. Doris Nolan, in her Broadway debut, received positive reviews for her portrayal of the lead role. Several regional productions followed. An off-Broadway revival in 1973, under the title Penthouse Legend, was a commercial and critical failure. A film based on the play was released in 1941; the story has also been adapted for television and radio.
Rand had many heated disputes with Woods over script changes he wanted for the Broadway production. Their disputes climaxed in an arbitration hearing when Rand discovered Woods had diverted a portion of her royalties to pay for a script doctor. Rand disliked the changes made for the Broadway production and the version published for amateur productions, so in 1968 she re-edited the script for publication as the "definitive" version.
RE: Last to post wins - Creeperopolis - 01-17-2025
William Robinson "W. R." Brown (January 17, 1875 – August 4, 1955) was an American corporate officer of the Brown Company of Berlin, New Hampshire. He was also an influential Arabian horse breeder, the founder and owner of the Maynesboro Stud, and an authority on Arabian horses.
After graduating from Williams College, Brown joined the family corporation, then known as the Berlin Mills Company, and became manager of the Woods Products Division, overseeing the company's woodlands and logging operations. He became an early advocate for sustainable forest management practices, was a member of the New Hampshire Forestry Commission from 1909 until 1952, and served on the boards of several forestry organizations. As chair of the Forestry Commission, Brown helped send sawmills to Europe during World War I to assist the war effort. He was influenced by the Progressive movement, instituting employee benefits such as company-sponsored care for injured workers that predated modern workers' compensation laws. A Republican, he served as a presidential elector for New Hampshire in 1924.
Brown founded the Maynesboro Stud in 1912 with foundation bloodstock from some of the most notable American breeders of Arabian horses. He looked abroad for additional horses, particularly from the Crabbet Arabian Stud, and imported Arabian horses from England, France and Egypt. At its peak, Maynesboro was the largest Arabian horse breeding operation in the United States. In 1929, he wrote The Horse of the Desert, still considered an authoritative work on the Arabian breed. He served as President of the Arabian Horse Club of America from 1918 until 1939. Brown was a remount agent and had a special interest in promoting the use of Arabian horses by the U.S. Army Remount Service. To prove the abilities of Arabians, he organized and participated in a number of endurance races of up to 300 miles (480 km), which his horses won three times, retiring the U.S. Mounted Service Cup. This accomplishment occurred even though The Jockey Club donated $50,000 to the U.S. Army to buy Thoroughbreds that tried but failed to beat the Arabians. Brown's legacy as a horse breeder was significant. Today, the term "CMK", meaning "Crabbet/Maynesboro/Kellogg" is a label for specific lines of "Domestic" or "American-bred" Arabian horses, many of which descend from Brown's breeding program. In 2012, the Berlin and Coös County Historical Society held a 100th anniversary celebration of the stud's founding.
Although Brown family members sold personal assets to keep the Brown Company afloat during the Great Depression, including Brown's dispersal of his herd of Arabian horses in 1933, the business went into receivership in 1934. Brown remained in charge of the Woods Division through the company's second bankruptcy filing in 1941. He retired from the company in 1943 and died of cancer in 1955. His final book, Our Forest Heritage, was published posthumously, and his innovations in forest management became industry standards.
RE: Last to post wins - Creeperopolis - 01-18-2025
Freston is a Neolithic causewayed enclosure, an archaeological site near the village of Freston in Suffolk, England. Causewayed enclosures were built in England from shortly before 3700 until at least 3500 BC; they are characterised by the full or partial enclosure of an area with ditches that are interrupted by gaps, or causeways. Their purpose is unknown; they may have been settlements, meeting places, or ritual sites.
The Freston enclosure was first identified in 1969 from cropmarks[note 1] in aerial photographs. At 8.55 ha (21.1 acres) it is one of the largest causewayed enclosures in Britain, and would have required thousands of person-days to construct. The cropmarks show an enclosure with two circuits of ditches, and a palisade that ran between the two circuits. There is also evidence of a rectangular structure in the northeastern part of the site, which may be a Neolithic longhouse or an Anglo-Saxon hall. In 2018, a group from McMaster University organized a research project focused on the site, beginning with a geophysical survey and a pedestrian survey to collect any items of archaeological interest from the surface of the site. This was followed by an excavation in 2019 which recovered some Neolithic material and obtained radiocarbon dates indicating that the site was constructed some time in the mid-4th millennium BC. Other finds included oak charcoal fragments believed to come from the palisade, and evidence of a long ditch to the southeast that probably predated the enclosure, and which may have accompanied a long barrow, a form of Neolithic burial mound. The site has been protected as a scheduled monument since 1976.